Titebond Hide Glue Vs Hot Hide Glue Set,Long Drawer Slides Heavy Duty Jack,Furniture Pulls For Dressers 96 - Plans Download
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Share Share with:. Link: Copy link. Be more concerned titebond hide glue vs hot hide glue set joint integrity. You are going to get many opinionsI would want to see facts. There was a study in Guitarmaker and HHG was rated 3. HHG is a good glue and is one of the few that will reamalgamate or in plain wordsreglue to itself.
Dries hard and doesn't creep. It isn't easy to work titebond hide glue vs hot hide glue set and takes some experience. Tite bond is a very good glue. This has been used for many years. CF Martin used it on the production like. I have built using both glues and Titebond hide glue vs hot hide glue set cannot hear a difference.
Many traditionalist like like it. Adhesivesit is a good study. I had a similar question regarding the sonic qualities of hide glue vs tite bond. As of now, Its on page 3. I misspelled Titebond as Tightbond, go figure. If you do a search for tightbond vs hideglue it should take you to it. Ted Hutson. Bruce Sexauer. HHG has damping statistics in the ball park of wood, Titebond does not.
When people say they can't hear the difference I am always surprised because my ears aren't what they once were, but it seems really obvious to me. Not just in my own work, but in that of Jim Merrill and in Martin as well, though they may have other mitigating factors I am unaware of. I hear it as a liveness, crispness, or sort of zingyness; words are inadequate in my mouth but it IS tangible to me. Further, I prefer the HHG.
The scientists can measure all they want, I am going with my feelings. Just to beat this dead horse some more I'm uncertain I could hear a difference between HHG and Titebond with everything else being equal.
Has anyone tried making a similar guitar with each Titebond Hide Glue Vs Hot Hide Glue Pro glue type with all else being the same other then the glue? I've never heard anyone trying something like a double blind test with say 4 guitars made with similar components but 2 with HHG and 2 with Titebond.
If there is a significant difference, a trained musician not me should be able to pick out the HHG guitars a good percentage of the time. I suspect that the folks using HHG are simply using more care in their joints then folks using Titebond since they have to set the glue faster. Also HHG tends to be sticky so it actually holds the joints in place more once they are joined then Titebond which is more slippery while wet and has more time and inclination to slide out of place while you are putting clamps on.
Not sure about any acoustic properties of the glues themselves however the thickness of properly applied glue is very thin so I wouldn't think it would have a tremendous effect. Other folks here will swear on a stack of Bibles it does though so who knows. Alan Carruth. At this point it's all opinion, although one has to respect the opinions of folks with a lot of experience, of course.
Tim McKnight has done a couple of different experiments to look at properties of various glues, and the Guitarmaker article was one of them. I'm never entirely sure of how his measurements relate to the sound of Titebond Hide Glue Vs Hot Hide Glue Recipe guitars. That article looked at hardness, but it's not entirely obvious to me that that's important, or, if it is, whether we want a 'hard' glue, or a 'soft' one, or one that more closely matches the hardness of wood.
It's very difficult making 'identical' guitars, even using the same glue on both. I don't think you could say much based on a pair. Now, if you could make a whole lot of guitars of the same design, using wood with known properties, you might be able to say something from a statistical analysis.
I have to agree totally with Alan here. Often people that think they hear a difference is actual a inference. I am often asked if I use HHG. The guitars sound greatisn't that all that matters? I will agree that I do like the ability of this glue to adhere to itself. For now Titebond Hide Glue Vs Hot Hide Glue Not I think it is too hard to tell scientifically what the tonal effects are.
Those of us that build all have an opinion. To me the joinery is more important than what is holding it together. Like Alan said, it's all opinion.
For what it's worth I just plain enjoy working with HHG. For the past years I've also been using HHG for constructing new guitars and prefer it in every way to the other glues except for the convenience factor although I couldn't even begin to tell you if there's some difference in the tone of the guitars.
At the film thicknesses we're talking about I'm not convinced it really matters much anyway. Use what you like and buy whatever guitar sounds good to you. Cheers, David www. A related question; I just followed a "Build-thead" on another forum, where a luthier had thee students building their own guitars. Titebond for the bridge. This was in Sweden and the white glue in question was local to this market, but I am quite sure it is something similar to Elmers glue.
My feeling is that this type o glue is less brittle when settled. Any comments on this titebond hide glue vs hot hide glue set the forums luthiers would be appreciated. The question I have is relative to the ease of repair.
Other than the need for glue pots, does hide glue offer any advantage or disadvantages for repairs? One slight disadvantage with hot hide glue is that titebond hide glue vs hot hide glue set parts being glued need to be warmed first. Martin, back in the day, would put the bridges and fret boards on top of the old steam heat radiators before gluing. This extends clamp time and makes for a better joint.
I don't use a glue pot as I'm not building anymore and all of my early building was with titebond. I make up a batch and store it in the fridge and spoon out what I need for the job.
It's dated and if more than weeks old I make a new batch. All neck re-sets, bridge re-glues, fret board re-glues, and most crack work get hot hide glue White glue, poly-vinyl acetate iirc, is equivalent to bubble gum: it doesn't hold well, but you can't get it loose either.
It 'cold creeps' almost without limit when subjected to shear loads. I once repaired a fiddle that had the bass bar put in with PVA glue. The top was flat on the bassbar side, with no arch at all, but the bar itself was still glued down at both ends.
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07.12.2020 at 18:22:36 The set of 3 jigs I design to see some-more than the divide.
07.12.2020 at 12:21:53 With the finest woodturning tools and supplies stability and allow you to clamp.