Corner Rounding Edge-forming Router Bit: /2"Radius, Bearing Dia. 1/2 Shank. Unlike a regular square-edge bearing, it follows the radiused surface produced on the first pass.  Core Box Router Bit Double Flute Round Nose Router Bit Carbide Tipped Woodworking Tool Round Groove Router Bit 7/8’’ Radius x /4'' Dia. x 1/2 inch Shank (1/2X/4). out of 5 stars $ trying to find either match board or router bit to create similar effect as on the picture (insert into fireplace mantle) found something that will create half-round groove but on chines land and with 6mm shank - so rather for cnc not for a router anyone has an idea if will find ready-pre- fabricated board or router bit?  Don't know about prefab but that's a flute bit that's created the middle and a chamfer bit for the surround frame. You can buy triple flute bits. Jord86, Mar 31, #2. KIAB Super Member. Got a close up. Would a Point Cutting Round Over bit work. KIAB, Mar 31, #3. xednim likes this. Astramax Screwfix Select. Google: Wealden Tool Company, brilliant selection of router cutters. Astramax, Mar 31, #4. KIAB Super Member. Astramax said: ↑. Hot promotions in round groove router bit on aliexpress: Great news!!!You’re in the right place for round groove router bit. By now you already know that, whatever you are looking for, you’re sure to find it on AliExpress. We literally have thousands of great products in all product categories.  If you’re still in two minds about round groove router bit and are thinking about choosing a similar product, AliExpress is a great place to compare prices and sellers. We’ll help you to work out whether it’s worth paying extra for a high-end version or whether you’re getting just as good a deal by getting the cheaper item. And nowadays I don't do any podcasts here because I have become too conscious that there will be listeners who know more about what I am talking about than I do. Depending on the frequency response of this chain, I expect this to be the bottle neck. Round groove router bit zoom appreciated the show. Really impressive. Tiny by most standards, but wouldn't fit on your card. In this mode, the TouchView display can host 16 color-coded touch-screen buttons; each one can instantly call up round groove router bit zoom appropriate Preset, Combination or Sequence regardless of mode. It kind of reminded me of a Neumann M zpom terms of its versatility and its generally forgiving nature.

Most of these are advanced attacks that average person will ever have to worry about, but worth keeping in mind. Read-only root filesystems are mainly meant for resilience against power failures and simple unprivileged malware, but it's not meant to provide any true security against sophisticated attacks. You are entitled to your political opinions, but please title your episode appropriately. I could talk about some of the accuracy of many of your statements, but I don't believe that this is the proper forum to do so.

We do not listen to shows prior to posting, to ensure hosts are given the freedom of speech. I have therefore updated the shownotes to more accurately reflect the content discussed. For all listeners, there is 2 minutes of discussion about Devuan, the remaining 32 are political commentary.

I will no longer trust, or listen, to this contributor. I thought your views were interesting. I was particularly interested in how you highlighted that CJDNS was going to monetized and Yggdrasil was not or at least yet. I don't understand how IPFS network finds things or works. Sure it uses a hash, I get that, but the mechanics of finding the hash, how it determines what pieces of multiple copies it routes back and how I don't get yet.

I think these are coming together. I wish it were faster. I completely agree with the level of learning with computers today, so much of computer programming is opaque.

Learning today seems to be, "oh i learned i needed to do sudo infront of apt-get, pip-install blah". Old computers, slackware install disks, forth on microcontrollers is the place to go to actually learn. Thanks for the show. Good to hear the roads are bad in other places than northwest ohio!

I enjoyed your talk very much, and it has revived my project of creating this kind of resource to facilitate community with minimal dependence on The Cloud.

Thank you. I hope you can manage to do a follow-up talk with details for community builders that would help us do the same and build on your experience. I'd also enjoy hearing more about manor. The co-op style of hosting services also discussed on episode , "Co-op Paradise" is something that I find very encouraging!

From the title and the show coming from operator, I thought this would be about some cool way to find bugs in code. I was surprised to hear this was about real life bugs! Good luck operator, I feel your pain. I found it surprising that Ken would call it "the dark side of teaching maths in HPR" since I disttinctly recall in a community news show, not long ago Ken himself requested someone to do a show on Fourier or was it Laplace transforms!

The discussion about licenses and contribution agreements was interesting and informative. Thanks for the show! Thank you for this episode, it's a nice gentle introduction to the topic, I definitely look forward to future episodes.

Glad to hear it! It was not nearly as challenging as I had expected given the tools on pcpartpicker. The hardest part was actually finding things that could ship! I had to swap parts on the build here and there via that site before I finally got everything together but it wasn't awful.

Happy building! This guy Seth Kenlon wrote a book that might be useful to the budding game programmer using the 32bit. I had already found out about the new pricing scheme from an inside source in the deep web way before my review, and given the changes and all the red tape usually involved with such things, I knew it was worth putting that information out there for humankind to behold.

And since your assumption of my lineage was an extra benefit I'm not Italian , I can now leak this cable from the "Fratellanza di Correzioni" My skin is pretty thick. It's been at least 15 years since I attempted to pick all of the parts and build my own PC, but after hearing your talk I think I may give it another try.

Thank you for the inspiration. Sorry to say, but I found the sketch not funny at all. Please also work on your audio balancing. First there was low-volume talk, then suddenly a much louder techno jingle right before the sketch. I'm glad you liked it. I have one more already uploaded and in the queue, and I just finished writing a third one. So there is more to come.

My wife and I are avid bird watchers and this year I added taking pictures of them the birds to the mix and I've wanted to process some of those photos and often thought of the gimp.

Looking forward to more tutorials, if they're half as good as the libre office set they'll be awesome. In this case, the filesystem is read into memory on boot, then that filesystem is locked down for the duration.

No one can make any changes to the system from that point forward. It could be run in QEMU and even lock down what drives could be accessed with the dd command as well.

This makes any kind of attack, absolutely impossible. I've been using a Kinesis Advantage for years. Owner of two and I love them. They've helped with my RSI quite a lot. Couple of notes: the esc and fn keys are membrane, i'm pretty sure. One can also program the keyboard to beep on all key-presses which is useful to avoid bottoming out. I agree with your two week skill acquisition time with the keyboard.

Thanks for sharing this one! Really enjoyed this one. Found myself nodding along in agreement and finishing some of your sentences. Lots of good refresher and some new tips in here for me. Thanks a ton for submitting this one!

Hi Windigo! Thanks for the link. I'd love to get my old Sheevaplug up and running again, and this looks like the site to help me do so. I don't actually have a use for it at the moment.

It had a USB disk on it and I used to use it as a Git repo a package called 'Gitosis' I think , and could access it when away from home. Then it was a "playground" for learning about Bind. Then the disk crashed!

Anyway, this is now on my to-do list. Thank you! Dave, I hope you'll be excited to hear that the Sheevaplug is still very well supported by Debian.

I had one up-and-running with the latest version until very recently. Hi Dan yes you are quite correct it was indeed the Tefifon, I couldn't remember its name. It certainly is a very strange device. The one they had at the museum of communication wasn't in working condition at the time, they were in the process of trying to repair it I hope they succeeded.

I must thank you for bringing this up as I really enjoyed rewatching the YouTube video link you gave which gives an excellent introduction of the device. The sound quality seemed surprisingly good. I watched the video while sitting out in the sun in my back garden. All the best MrX. Hearing Fifty made me miss him again. And I must admit I was surprised to discover that I appeared in this episode. But good work on the reviews folks. I love this book and can't wait to listen to this episode.

Dave Hitt is amazing and has other stuff to listen to. While I agree with most of his opinions and information, there have been a few things I absolutely disagree with him about, but I get to hear a different point of view sometime and.

Thank you for your feedback. If I interpret you correctly I think you may have misunderstood the spirit of my earlier comment. I was replying to crvs when he mentioned the use of shebangs in the context of writing awk scripts. I took him to mean that this particular episode had helped to provide an insight which assisted with his understanding. In my reply I pointed to the series that b-yeezi and I had done on awk where we'd tried to introduce people to this tool and had made many many references to the gawk manual along the way of course.

There is no contest with the gawk manual itself, if that is what you were implying. The manual is obviously the most comprehensive and definitive resource on the utility and the language.

The resource which b-yeezi and I had tried to provide was simply a way into concepts which may have been daunting and somewhat inaccessible to some. Our role was one of supplementing the manual itself, not of superseding it in any way.

I hope this clarifies any misunderstanding there may have been. Thanks for this. You are of course perfectly right. I might be accused of being a little stuck in my ways! I did think of mentioning this in the show but didn't do it because it was a "snippet" and I didn't want to go into too much detail and make the episode too long.

Feel free to add to the Bash Scripting series yourself. I look forward to hearing a different view from you in due course. There are actually more than two types of quoting in bash. It might not be as portable but that shouldn't matter as the episode specifically addresses Bash.

In short, YES, your going to get out there and your going to die. Thank you for sharing. I have now fallen down a rabbit hole of links to software I didn't know I needed. Thanks for the comments, I will be covering how I go about dismantling the models, removing paint from the casting and plastic parts as part of the series.

My next episode will be about the basic tools and materials you need to get started. Looking forward the series! I haven't ever stripped Matchbox cars, but I have done fair share of miniature stripping. I'm interested on hearing how you handle this as these models have both metal and plastic parts. I didn't realise skynet was really nvidia. I'm going to bin my graphics card right now. Thank you so much for this heads-up!!!

It's been awhile since I needed to do Python package management, but thanks to this episode I'm ready next time the need arises. Thanks for the comment; it's much appreciated. My interest in fountain pens didn't really develop until I was beyond school age. School had the effect of making me dislike using them because I was forced to do so. I have been a frequent ballpoint pen user from my university student days, because it was easier to write rapidly with one when in lectures or other places where rapid transcription was needed.

Quite collectable! Your hand-made journal sounds wonderful, with the leather cover too! I have never owned anything so good, but I do have some notebooks that I like so much I have never used them and probably never will!

Your reaction to your Half Round Groove Router Bit journal is perfectly understandable. I'd like to hear more about the pen collection and the journal if you feel you could make a show about them Thanks for the comment. I know what you mean; I'm no artist myself.

My daughter took art and science at school and has developed her art skills since then. She always tells me to just keep sketching if I want to get better at it. That's what she has done to try to get to a place where she can start to combine her science interests with her art.

I guess the message is that you can develop abilities if you keep trying! Dave, my apologies for the late comment, I had intended to get it in prior to the community news, but, life happens.

I too have always been fascinated by these tools. My fascination was multiplied by both of my parents working in parallel industries when I was young. My father worked in an art and drafting supply house, my mother in an office supplies store.

Instead of turning to fountain pens, my disposition is toward ball point pens. While I do agree that they aren't the greatest writing tools, I have leaned toward advertising pieces and novelty pens. I have pens in my collection from as early as the Round Groove Router Bit 4g s and 60s. Art class in middle school introduced me to papers and textures and artisan papers.

Not by me, I don't have that level of skill the pages of paper is all hand made from recycled cardboard and denim an the entire volume is bound in hand tooled leather. It is so nice, I am scared to write in it I'm glad you enjoyed the show. In having run through it earlier, when Mumble refused to record anything for me, I obviously gave myself an accidental rehearsal, so maybe the show wasn't as disjointed as it could have been :- Yes, it's more fun when there are two of us to discuss and banter a bit, so I prefer the normal setup.

Thanks clacke. I think I was confusing "I have learnt this stuff" with "I know about this stuff" and got a bit muddled! Now I think of it, I was learning about blood groups more than 50 years ago! One might think so when just looking at how the alleles work.

But that assumes an even distribution of genes. When I moved to Hong Kong I learned that blood type distribution is not universal. Someone told me my blood type was "unusual". It's also not as dominant in Sweden as I was led to believe.

I appreciate the feedback, tuturto. It is an interesting medium that my daughter an artist may take up, since she had been sketching pen drawings lately. Thanks for keeping flag of Hacker Public Radio high up and doing the community episode all by yourself. Listening to recap of whole previous month worth of episodes is one of those things that I look forward when a new month starts.

Its sad that ahuka considers his fellow citizen on the other side of the political spectrum his enemies. Also, all governments, not just russia, sow political discord for their gain, just listen to voice of america and check out all the cia ops in central and south america. Quit picking on russia as a straw man. In addition to the archive. I confused myself and created a Nix Python virtualenv which doesn't work when I thought I was creating an Ubuntu Python virtualenv which actually does work.

Because by telling you that he doesn't know much about Jitsi operat0r has just invited you or anyone else out there to do a follow up show if you happen to know more. Herd immunity is wonderful, and it is why vaccination is so important. When we have a vaccine and the most common estimate I have seen is 18 months on that one , and when we ramp up production and get it out to over million Americans, we'll be in a much better place.

Chloroquine is different from Hydroxychloroquine, my mistake. There are medicines that can help peoples own immune system get the through this and many other diseases. Waiting for a vaccine is untenable for us all, we will all end up in the economic toilet, herd immunity is what we need, lets get going.

These days I probably only listen to about ten percent of episodes. It is probably because I arrived at a peak, right slap in the middle of the legendary Ahuka Libra Office series exactly when I needed a leg up doing spreadsheets. And also around that time Klaatu and Dave were doing a lot more. But at no time have I complained about any episode.

My mother used to tell us, if you can't say anything nice, keep your mouth shut. And nowadays I don't do any podcasts here because I have become too conscious that there will be listeners who know more about what I am talking about than I do. But comments like the one criticising Operat0r for starting his cast by saying he knows little about the subject is not exactly encouraging to others, is it?

Why indeed should anyone listen to an episode of HPR? The only answer I have is because it is of interest to you. I think of HPR as a party with a bunch of friends, not as a college curriculum.

I listen to the ones I want to listen to, I skip the ones I don't. And I am not in the least bothered to think that there are people out there who don't want to listen to my shows.

I prefer free software because I like the freedom to do the things I want to do and live the life I want to live. Here's an excellent podcast discussion of these rather difficult questions. They take a somewhat hyper-rational approach to the issues, and some people might prefer an emotional perspective, but even if you disagree with their conclusions at least consider the way they methodically work through the key points.

Economics is about deciding the allocation of precious scarce resources, and inevitably this must involve a trade-off - very similar to Engineering.

What is happening right now is that the lives and livelihoods of young people are being sliced away for the benefit of the older demographic. Despite this ethical dilemma, very few of the commentators are willing to even give the slightest recognition of those being sacrificed.

Only those people who start with the understanding that a trade-off is involved are genuinely engaging with the problem. I have struggled to find devices on my network in the past, and eventually resorted to using nmap which I used to use at work years ago.

I was not aware of arp-scan, and have just installed it. It's very much more helpful when searching for that new Pi just added to the network. To the person moaning about 'having' to listen to, or 'being expected' to listen to, a podcast about jitsi in which the host first says he doesn't know a lot about jitsi. I think HPR might not be what you are looking for.

And you need to learn where the delete or skip button is. In the few shows I have done for HPR, I have always been very conscious that there are, inevitably, people out there who know more than I do about what I am talking about. Why don't you do a show about something and show us all just how smart you are? As Jitsi seems to be making the rounds coming out on top as the open source alternative to ZOOM this was really interesting and made me want to play around with it.

Thank you very much. Romans also used tersorium or xylospongium, which is sea sponge tied on a stick. Those were in communal use and just rinsed in a bucket of water and vinegar in between of uses. Also, a big portion of humanity uses hands or rather a hand and water to clean themselves and actually consider using toilet paper disgusting as it can't clean as well as water can.

Different cultures and all that. I was wondering if I am expected to listen to a podcast if the first minute or so is the presenter explaining how they don't know much about the what they are about to talk about? Seems the listeners time isn't being respected.

I was thinking about checking out jitsi, so this was a welcome find in my feed. Thanks for doing this. Its a shame that ahuka takes a decent look at the pandemic and has to drag his form of left wing politics in to it. Ad hominem attacks make you feel good but don't add to the strength of your argument.

This drug may be useful but peoples politics are getting in the way of seeing that. Who's rational. Lastly its easy for pensioners to say stay at home indefinitely, some of us need to go out and work there are many jobs you can't do from the comfort of your home in your pajamas.

Poverty is a bigger killer than any pandemic. On a more relevant note: I love these minimalist approaches. A friend swears by Porteus, but that's still MB. Tiny by most standards, but wouldn't fit on your card.

I think it's worth mentioning that while you said it left a few megabytes on your card, the core of Core is a mere 11 MB. He tried for the longest time to keep it below 10 MB, but had to break the barrier about 10 years ago. It's still the only distro that fits in an email. Thank you Ken for a forceful and enlightened rant on the archiving mentality, the evergreen value of much knowledge, and the need for self-contained show material.

I agreed with not only the general sentiment, but probably with every word said. I'm glad you don't believe in editing things down. I have never used Tiny Core Linux, but years of listening to Linux Outlaws probably? Its hard to believe a guy from Indiana would advocate for the elimination of the electoral college. You definitely would not need to vote if you live in Indiana if there was no electoral college.

The US is not a democracy, its a republic big difference. The primaries and caucus system is a political party system and should not be confused with how Presidents are elected. One last thing health insurance is not health care. When you say universal health care your really saying universal health insurance. You still will have to fight an insurance company with "universal health care".

Send Lawyers, guns and money the sh-- has hit the fan! Oh cool! I have been using XMPP and Biboumi, but didn't host my own and the hosted ones have not been reliable. I am not a health care worker, nor do I play one on TV. However I have worked in health care IT for 10 years. The word of caution I would inject, is in regards to the option of using a bare hand to clean the affected area.

I would say this is a last resort substitute, due to the potential health risks associated with it. Hepatitis A is spread through fecal matter in food. If one is not supremely carefully, ie: wash thoroughly more than a minute and then sanitize, you can spread Hep A to your self and your loved ones very easily.

Fortunately, Hep A is not fatal, mostly just uncomfortable, with a mild fever that passes and diarrhea for up to 30 days or so. Toilet paper really is an odd invention. I believe there was a time when it was first marketed that the public thought it vaguely disgusting, and as you suggest, an unnecessary luxury.

One plausible explanation for the surge in toilet paper purchase is that in countries experiencing some form of lock down, more people work at home hence the demand from toilet paper moves from office wholesalers to retail shops and the supply chain takes time to adapt.

In the mean time shelves will be empty. There's a ruined Roman bath house near me situated on the Antonine Wall Scotland. It has a latrine and evidence suggests they used moss to clean regio affectus. Really great to hear you guys once again!

Free culture audiobook reviews live! It wasn't enough information for me to build my own quantum computer, but I did find it interesting. Looking forward to episode two. Thanks for this episode, I love hearing how people record shows I might have to do one of these myself! I'm curious as to why you attenuate the bass and treble by 6dB? The final episode has a telephone-y feel to it.

Would it be possible to get hold of the original file before it's processed? I've tried out TinyCore a few times over the years, but had no idea they made a RaspberryPi edition. What a pleasant surprise!

They sound like loads of fun! Please keep the episodes coming. You have a knack for doing episodes that exemplify the hacker ethos, while being fun and unique! It's fascinating to hear about the "early" Internet and Internet commerce. Thank you for sharing this history. Thanks for the info Thaj. I didn't know how to do this, but now I do. I can now be both klaatu and notklaatu on Matrix, and that's pretty satisfying.

Thank you, I'm glad you enjoyed it! I hope I was clear enough and not too rambly. I didn't go into the monad laws because it was already difficult enough to be somewhat coherent :. Welcome and thanks for the great first show!

You jumped directly to the deep end with a show about monads and category theory. When I saw it on the queue, I wanted to listen to it immediately. Instead I sawed it for the morning walk today so I could concentrate to it properly. To place Serge's ideas in context, it should be pointed out first that he intended that the price paid on en e-mail would go to the recipient, which is why he said it would be a wash for most people.

As a recovering economist, I do believe that anything that is provided with no charge at all is likely to be abused, and that is what we are talking about. And it is also worth noting that Serge's proposal about charging was a way to get around the only other feasible way to control abuse, which is to sharply limit who can send messages. I can, right now, write a rule that says anyone not already in my address book cannot successfully send me e-mail.

I just delete on sight any e-mail from someone not in the book. Hi Ahuka, As you know I am enjoying the series. I don't think that charging for messaging, however small is the answer.

It is socially unfair as it imposes a financial barrier that many may not be able to afford. To quote my mother, "It's not a lot to have, but it's a lot to want". As soon as you do, you stop been federated, and start been walled gardens. Not to mention the registration process that would be needed, and then would need to be taxed, and surely limited to authorized providers, etc etc.

I'm glad of the chance to think about this, so please keep them coming. Hi tuturto Many thanks for the kind words, glad you enjoyed the episode it certainly had us stumped when it happened. Sorry about that. I thought the voice sounded familiar, so I had to do some research, and yes, it's the same Chris from Linux Inlaws. Certainly not any that would matter for a project like this.

What command did you run that produced this error message? To see what tools your Busybox come with you should run it without options. Busybox is quite configurable so you should check documentation generated with the same configuration as your target.

That web page is either very outdated or generated from some sample configuration. So to say that I don't know what tools are available is perhaps a little unfair as I did state in the episode that I'm limiting myself to busybox builtins. Actually, I wrote the above so I'll leave it there, but I decided to double check.

When I work on a script like this one, I usually do it on my laptop that has all the full tools on it but I double check against the busybox page to make sure I'm not using a command or an option to a command that busybox doesn't support.

Then I test it on one of the devices. I asked for a critque so I appreciate the comments! I'm at a loss to explain where I came up with the triple parentheses for incrementing i. I just tried it on busybox and two seems to work fine though three does also. Forgot to actually remove the bashism The biggest problem with your scripting seems to be that you don't really know what tools are available and what options they have.

My recommendation would be for you to just see what comes included with the coreutils and busybox, you'll find all kinds of wonderful little tools there. In bash my solution to this would be this single line: paste.

I appreciate that you are not using Bash in your script, but unless you have some strong reason not to I'd advise using it. Often 'sh' is just a restricted form of Bash! What a fun and wandering conversion from 2 interesting people. Someone should get these 2 together on a regular basis.

Or they should start their own HPR series. Interesting listening. Glad the episode was helpful. You're right! I found the same thing but forgot to mention it in either the recording or the show notes. So far all of the streams I listen to work with the http prefix, though. I seem to recall that command-line VLC cvlc can play streams with https but I may be wrong.

I'm on my phone at the moment and can't verify. I tried to use mpg with a remote stream and found the following problem on Ubuntu If stream redirects http to https, your stream should play. If it doesn't, you may be out of luck. For instance, I picked a random podcast on iTunes and it failed to redirect. On the other hand, using a file from HPR works just fine.

Mine is still working perfectly after about a month, though I had to update the URL for one of the streams. I love my Pi radio! Thanks for the recommendation of Dark Reader. It's really great. I just would wish it would work on all the about: pages too. Linux Inlaws? The successor to Linux Outlaws ? All the listeners for which the closing of Linux Outlaws left a gaping hole in the podcast landscape?

I found all of the World of Commodore episodes you've submitted to be very enjoyable. I don't have much experience with Commodores or that era of computing, and hearing what the community is currently able to achieve is fascinating Thanks for the wonderful series!

HPR fund a mumble service where you can directly connect to Mumble. Thanks for a very good presentation on this exciting protocol. I hope this does get taken up by major sites. The ratio is fixed at while the two pots give you control over the threshold and gain makeup. SSL states that the attack and release parameters have been predetermined to provide compression to the widest variety of mix content, and while the ratio is higher, the attack and release time seems slower than the comps on the Super-Analogue channels.

There is also a side chain first order high-pass filter at 50Hz to. Now I have to say that losing control over a number of key features like attack, release, ratio and variable high-pass, can be slightly worrying in use; however, this lighter version of the G-Bus sounds every bit as complete [as the original] and brought into focus every piece of music and Round Over Router Bit Set Zoom every project mix I put through it.

The obvious thing was to bounce it down to an audio track and add it in as a new audio track. However, the particular DAW I used at the time produced a bounce that was nothing close to the quality of the original audio I had been listening to. Even bouncing it down to a bit float and re-importing it, converting it back to bit, while much better, was still not the same. Sadly, he kept taking it back, and because my old laptop needed.

Depending on your interface, this is a reality with the SiX. They are such a pleasure to use and work with that other pieces of equipment you used to think were special no longer hold the same appeal. What I can tell you is Oeksound is a cool young brand which was launched in with their first and, until more recently, only product, Soothe.

Now there is Soothe 2 and Spiff. In other words, I might have to refer to a manual to find out how to use these two. I use this all the time! So armed with the. I have a couple of friends who I collaborate with who I share song ideas and demos, which are just. This gave me a great place to start and see if I could smooth out what are in some cases excellent performances, just not great recordings.

Not relevant to the sound, I know, but a very effective and classy looking interface. And on second glance it looks like a cross between a parametric EQ and a compressor.

But there is a twist More on that shortly. One of my tricks for hearing what plugins do before I actually apply them to any scenario is to pick a piece of music I know well and have a listen to what it does over a full frequency range.

Soft is very subtle - I think the depth was half way up. The hard setting on the other hand is less subtle and ranges from useful to crush the life out of! This is also great for highlighting and targeting those particular resonances that cause concern, discomfort, or both! This gives you four bands of control, not unlike a parametric EQ in reverse.

You will find yourself regularly flipping bypass in and out to check your work! The delta button just above the bypass is also an. In the second column are controls for attack and release which are very useful for maintaining the attack of the original signal while then going to work on the resonance of, for example, a snare drum or a tom fill.

I also found this useful on vocals for maintaining detail in articulation while using it on particular voices. Box ambience on an upright piano; room reflections on a home demo vocal; unusual injury-related resonance on an old classical guitar. One very relevant fact to come out of this. On more than one occasion I turned off a standard compressor, a multiband compressor, a deesser and an EQ.

Not all the time - but enough to make you think, certainly. So Soothe 2 is a plugin you can almost load and leave with the minimal amount of faff, and it just works. This keeps the rest of the signal intact and free from side effects.

So you could look at Spiff as both a creative tool and possibly a problem solver. Now there are other transient control and manipulation tools out there: Sonnox Oxford Evolution and Waves Smack Attack spring to mind.

So how does Spiff stack up against the competition? I think possibly for the first time I was actually listening to just transient information.

It has been my belief on occasion with some transient designers that I could just be listening to a very fast gate. Not in this case; the transients were clearly evident and audible, but in isolation. Spiff also features a whole host of user presets. In many cases they just worked and saved me having to refer to the manual as the changes on the interface gave away exactly what the presets had set up.

In most cases these presets are a very good place to start, but as with all good tools, they are made to be used, so an overview is in order. On the left hand side of the interface is a similarly laid out control panel to Soothe 2 which provides you with two buttons for the cut and boost modes.

Sensitivity controls whether Spiff processes just louder transients or if the sensitivity is increased - softer transients as well. Increasing the Decay extends the time a cut or boost is evident and can extend to even duplicating the original source signal, so I found it easier to use while the delta button was active.

And I think that is where Spiff really proves its worth as what would be my go-to transient design tool. While EQing distance by reducing the brightness is one way, it sounds far more natural and transparent as the transients are the sounds that die first over distance. Just Another Step Closer We all know how important transient information is to the perception of distance, so with my new found power to move the drum kit from behind the band to in front of them, I set about putting various instruments in different places - and this is where the fun really started.

Next I tried a little trick on a grand piano which with a little transient. I spent a couple of hours on a mix I had always found to be a little too busy, and very quickly I was able to place particular instrumentation. Nothing was lost and nothing was sacrificed, just a clear musical arrangement with everything occupying its rightful place and most of it without the aid of reverbs or delays.

I was even able to let the vocalist walk along the front of the stage while the tenor sax took another step closer for his solo. Thank you, Spiff. While that had helped a fair bit to make it less painful to sit through for the length of the podcast, it just suddenly struck me that a transient tool might be a better bet. So not only did Spiff work a treat, it took just a couple of minutes to set up and not only was it less aggressive, it was clearer and more legible.

These are beautifully crafted plugins that represent good value for money and are both exceptional tools for the tasks they are intended. After years as a vintage mic repairer, and with some components becoming harder to find, John Peluso set about finding alternative ways to give his customers the vintage sounds they loved.

Peluso as a mic manufacturer has been around for some time now and has built its reputation on capturing the essence and sonic qualities of various legendary microphones: from Neumann to Telefunken and AKG. In other words, they are not making copies but looking for new component level ways to recreate all that was special and much loved about those vintage legends.

More recently, Peluso brought out a couple of designs based on their own preferences and ideas: firstly, the PS-1, a highend handheld Large Diaphragm Condenser LDC aimed at live work; and more recently the P, a LDC vacuum tube studio microphone. So with no specific emulation in mind and no single product to compare it to, how does this mic stack up against the alternatives; and does it represent good value for money?

Today it is possible to buy great microphones with a vintage vibe or characteristic within a whole range of budgets, so that is our starting point. In the same way that digital technology has put the power to create back in the hands of musicians, the competition that has built amongst microphone designers and manufacturers has also produced a massive push toward better quality and lower prices.

Neumann or two to fund a number of mics I had never previously heard of, simply because I liked the sound. First Impressions The P is a beautifully packaged microphone which looks and feels every bit a vintage classic; with its dark finish it has a bit of a Sony C and Manley reference vibe going on. So we set up a series of recordings to see exactly what this mic is capable of, running it through a Merging Anubis.

I often favor performance over technical perfection, but I think with the flexibility of a good mic like the P you can get both. One little test that I love to check a LDC for is the transition from cardioid to wide cardioid and possibly on to omni if you absolutely have to.

The mic produces a really transparent and accurate recording. For a more dynamic vocal - to avoid the plosives - you would have to go back a couple more inches, but staying on axis still produces a really full and detailed up front image. But even on cardioid there was a good consistent field of pickup that allowed for a reasonably animated performance. The recordings had clean, clear midrange detail with all the warmth and depth you could want in the low mid to keep the voice close.

Between the team, we have a number of acoustic guitars, and this is the instrument that got the most attention. I have a beaten up old classical guitar which also got a dusting down normally not the easiest instrument to record — and even that sounded pretty good, and gave me an excuse to treat it to a new set of strings.

The P effortlessly coped, and faithfully took all the low resonance in its stride. The upright bass is another instrument that has proved difficult to record in the past, depending on playing style. There was a little bit of moving the mic around before I was satisfied, and I opened the pattern up again to a wide cardioid setting so I could keep it within two feet of the instrument.

This worked wonderfully well for slap-type rockabilly and flowing jazz passages. It sounded really full and closer miked than it actually was. If only I could find and use the bow! An interesting experiment - and something I found more by accident than design - was using the figure of eight on a saxophone in front of the bedroom mirrored wardrobe in an attempt to hit more of the right notes and not to upset my wife and children with my poor playing.

The result was quite unusual in so far as it sounded like a saxophone being played badly by someone standing in front of a reflective surface! The figure of eight just seemed to give a more accurate perception of distance whereas the omni setting just became a mess of reflections and space with less focus on the instrument.

Easy fix, turn the phantom power off and use batteries. It kind of reminded me of a Neumann M in terms of its versatility and its generally forgiving nature. The cardioid pattern opened out in a generous. During my time with this mic, on more than one occasion I thought I heard an old s U67 I once owned. I, however, now have a very strong desire to spend money With live events out of action for the foreseeable future, many performers are stowing their instruments and audio gear ready for the moment when they can get back out on the road.

Some manufacturers however, including Sennheiser, have used this time to create even more powerful audio tools, in anticipation of when artists need to be heard loud and clear on stage once again. When a stage is incredibly loud, and the instruments seem to acoustically close in on the vocalist, it can present a significantly challenging audio environment. Its highrejection means that vocalists can assert their presence even in the loudest of environments, a feature highly suited to the likes of alternative rock duo and longtime Sennheiser users, Blood Red Shoes.

The MD is a large-diaphragm model that combines a direct, headon sound with a tight supercardioid pickup pattern, providing maximum isolation from other on-stage sound. It effortlessly cuts through loud stage sound and establishes an audibly greater proximity to the vocals. Its direct, high-resolution sound gives vocals a totally new richness, intensity and assertiveness. Its fast transient response is designed to ensure a very detailed, nuanced and transparent sound that is complemented by rich midrange and bass, as well as being acoustically close, intimate and open, irrespective of how loud the instrument soundscape may be.

Due to its supercardioid design, the MD also has some serious gain before feedback. The MD has a metal.

As with the MD , its mechanical design makes it more than ready for. A humcompensating coil also protects the microphone against electromagnetic interference. Equally, the capsule. Korg has revealed a trio of exciting new products for musicians who are looking to revolutionize how they create sound: The Opsix altered FM synthesizer represents a faithful reimagination of classic digital synthesis; NAUTILUS is a new music workstation with all the dazzling sounds you need in a streamlined synth with a KRONOS pedigree; and the SQ is a powerful and compact Polyphonic Step Sequencer Opsix, the first new product in this impressive lineup, asks musicians to rethink everything they know about FM synthesis.

Much like Korg did when bringing wave-sequencing back in a more powerful, musical, and immediately accessible way with wavestate, the same approach has been taken for Opsix with FM sound generation, resulting in an incredibly flexible and unique synth. Users can now edit without getting lost, thanks to the combination of six graphical parameters on the large OLED display at the center, and the rotary encoders.

Operator modes on the Opsix lets users create sounds using modulation other than FM, offering a much wider range of sound creation with the ability to combine the five operator modes FM, ring modulation, filter, filter FM, and wavefolder and select from a wide range of waveforms. The knobs and sliders with twocolored LEDs lets users quickly and clearly see the relationship between operators, whose roles change with each algorithm.

This allows direct changes to be made to the pitch and volume for carriers, and to the brightness of the sound or the strength of the harmonics for the modulators. In contrast to FM, the Filter section follows the creation of sounds by providing analog synthesizerlike subtractive synthesis, while the Opsix also offers up to three simultaneous high-definition effects with 30 types available: from standard effects like a compressor, EQ, chorus, flanger, phaser and stereo delay, to distinctive effects like rotary speakers, grain shifters and more.

As well as shimmering reverbs, the effects are designed to add a new dimension to the already impressive sounds. Meanwhile, full editing is made possible with the Date Entry knobs without minimizing or summarizing.

With the onboard polyphonic note sequencer, users can record up to six notes per step, and edit the. With its extremely accessible operator mixer and flexible sound engine that goes well beyond traditional FM, Opsix is designed to widen the potential of digital synthesizers to their utmost.

Korg has designed Opsix as an instrument for players of all generations: modern in every way, or getting back to the basics while offering a glimpse of the future. Korg has spent years refining its digital, analog, processing, and hardware technologies and delivering them in a way that helps the musician connect with their instrument.

With the power of nine engines to drive a new approach to sounds, plentiful sampling, audio recording, effects, and processing power, this synth is said to deliver more to explore sonically with the workflow to get users there faster than ever.

The enhanced SGX-2 piano sound generator offers delicate expressiveness to capture all the nuances of the acoustic piano, and features the most piano libraries ever put into one product: with step velocity-switched sound, string resonance, and more. Used together in Program or Combination mode, these distinctive engines create completely new timbres.

A variety of functions are assigned to each knob for making changes to sounds, such as the filter cutoff and effect depth, the gate time, tempo and swing of the arpeggiator or drum track, the type of snare drum and more. In this mode, the TouchView display can host 16 color-coded touch-screen buttons; each one can instantly call up the.

The keyboard on the key model uses a fourstage real weighted hammer action made in Japan, called the RH-3, while the key model features a muchrequested light-touch synth keyboard from C to C, as with the key model. The third and final offering in this lineup is the SQ, an incredibly powerful and compact Polyphonic Step Sequencer with hands-on intuitive controls and deep editing options to give users all the flexibility and sequencing power needed for their musical projects.

With its 64 step pad Matrix, crystal clear OLED display, sturdy and elegant aluminum body, a wealth of connections and a variety of modes and features, the SQ is designed to provide total and seamless control over all your instruments so you can focus on the music.

As the name would suggest, the SQ64 has 64 LED-lit Step button pads that not only let users see the whole picture at once, but also allow for super fast editing with its encoder. The pad Matrix can also be used as a keyboard, allowing for several layouts to be used for maximum flexibility. At just years-old, singer-songwriter Willa Amai has already proved herself to be an artist of great talent and character.

Taken under the wing of the esteemed Linda Perry, the L. Willa is currently in the studio with Perry working on her forthcoming full-length debut album, a project which she believes will shape her musical identity…. The documentary tells the story of five female veterans who have endured unimaginable trauma in service, who create a shared sisterhood to help the rising number of homeless female veterans.

It really touched something. It was one of the first things I ever did and so to share that space with all those incredible people was just insane. She was just so kind. She had me come stand with her for the red carpet walk, and all the photographers were yelling at her to get the girl out of the photo, but she just took my hand and walked away all smug.

She is absolutely amazing. It was easy to do, just because I know Linda, and I think I got to know her as best as I could through covering that song because I knew that she would support me in it. Not only was it musically important for me to do, but I also think Linda and I are closer because of it. Meanwhile, Amai recently released Unorganized Crime, the first track from her upcoming debut album due to be released in early and one that holds particular significance for her.

She admits that juggling school with her musical aspirations has sometimes been challenging, yet at the same time has helped a lot in providing another outlet for her stress and anxiety. KT Tunstall reveals the details of her very recent live stream gig at the world famous Whisky a Go Go venue.

But the really important thing is that you have direct contact with your fans. How did he do that? This was at Wembley!

It landed in my hand. I felt like Courteney Cox and Brian Springsteen! I am now losing my mind. How do I curate my day to try and make different things happen? One recent gig saw KT perform in the carpark of the Pasea Hotel. The sun was going down over the sea and the beach in the background was gorgeous. I think the thing that weighed on me after doing in-person shows was that putting on a show is really just breaking through the ceiling of emotion with people and giving them that euphoric experience of being at a show, being connected, watching music, and not thinking of anything else.

The pay-per-view concert was part of a series of live streamed gigs taking place without an audience, and featured live comments from viewers which KT was able to interact with in real time. The Whisky is for sure one of those hallowed grounds that are the starter gun of incredible careers with unbelievable longevity.

I have played there before and playing there again was fantastic - just me and a drummer, a proper rock and roll show! Basically, you could heckle me from the front row during the show! I knew this was going to be it. Here he discusses his road into the music business, his many musical hats, and his love of Neve equipment. Coming from a very musical family, Tony Draper always had a bit of a knack for the craft, and as soon as he could read he was doing piano lessons.

He let me assist him for a couple of years while I was studying, and it was quite the education! From there, Draper cut his teeth with Logic and discovered that he had Draper recalls how this was the first a love for tweaking with sounds, time he had really heard a console eventually being contacted by some musician friends who asked if he could have its own sound.

Over the years it has welcomed the likes of Black Sabbath, Diana Ross, Moby, Coldplay, Take That, The Beautiful South, and many more big names through its doors, which are sadly set to close for good very soon due to the building being demolished to make way for residential flats.

Chris Taylor, the studio manager, had just taken it on at the time, and was also doing some lecturing at the highly regarded music institution where Draper was studying. It had a huge acoustically designed control room and sq-ft live room.

He only came in to do vocal tracking for a day, but I sat and worked for eight days with his producer Josh Goodwin, and learned a huge amount just chatting to him and seeing how he mixes and puts projects together. The ability to automate the short faders, as well as the long and EQ ins and inserts, is really, really cool.

We can do the rock and roll stuff, pop sessions, writing sessions, and full Hollywood film scores. And while there has been undeniable darkness to the unprecedented situation, I learn from Lawrence that he and his two bandmates have never worked harder on their music in their lives, revealing a personal silver lining. The band managed to put pen to paper with Columbia Records very early in their career, with their breakthrough single, Talk Too Much following on quickly.

They dropped their third album, Dreamland in February of this year. The band had just started touring the record before the quarantine hit.

I mention that Dreamland has proven to be a fitting title for the surreal times in which it was released. For the most part, everyone is just guessing and following their taste. Lawrence explains. I only came home for Christmas. And once home, I found out my cousin got married and my sister had moved out. And I never saw that man again!

He disappeared like an angel into the light. I started pondering, and wondering what this word meant to me that kept coming up, or if it was just a coincidence.

But I just had the realization I was spending so much time above myself. She was all shaken up. But she explained that she wanted to be where her friends were, where her favourite music was.

That was such a powerful moment for me. To hear that she valued her friends and music more than probably the most expensive thing she owned. It ended. Using amp modellers or IRs? Then check out the revolutionary new Celestion FX Find out more at celestion. His inspiration? The Partridge Family. The guys in Racer X were friends with a guy who did these prank phone calls, and one of his characters was Evil Joe. Racer X did.

It was actually kind of cool just to be creative in a different way, but still involving music. During this time, he began recording and developing local bands in Miami. I was actually a fairly decent classical guitar player because I could play rock guitar ahead of time.

What I wanted to do was not be a runner in the typical way: just going to get food for two years before I was actually allowed to touch the microphone. You get hired quite a bit. But it was more creative to me. Really it was the engineer who made it sound great back then.

The self-titled album garnered attention from the press, and the band soon landed a deal with Interscope Records. It was the first.

It was just total guerilla-style in Palm Springs at a studio called Monkey. It was challenging, but it was brutally honest music and it sounded so different.

I love the dirtiness of the first couple records and I love the clarity and the punch of the later two records that they did prior to me. I tried to marry the two things together — I wanted it to sound like Stinkfist with a dirtier undertow.

Those are the most amazing-sounding speakers, especially for playing solos. Then I realized I wanted super fast rhythms to sound tighter, so I got into 75W Celestions, and that became my favorite speaker for rhythm for a long time. I like to drive the amps hard and get the power section to really work. That was awesome!

Layer up to eight samples and shape them with classic subtractive synthesis, decompose samples into tonal and noise elements and re-synthesize samples to manipulate them in unheard ways. Once the dust has settled the need for live events is set to be more prevalent than ever before.

Kick start your big comeback with a brand new set of QSC K Why choose QSC? You be the judge! Test them yourself and be in the chance to win an Active Loudspeaker System for your future gigs. Matt Quinn of Mt. Joy explains how musically replicating a panic attack made it onto their latest album, and why being open about mental health is so important.

But this would not be in keeping with the ethos of Mt. And especially with the impossibility of predicting when that might be. With new album Rearrange Us out now, Mt. Source: ind. Teen babe filling her mouth with a huge cock in bus Obedient Yuu Mahiru in rough porn show along two males. Source: fff. Fuck Yeah, North African Women.

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