Характеристики. "Тайтбонд" Liquid Hide Wood Glue. Идеально подходит для изготовления и ремонта музыкальных инструментов и мебели. Применяется для создания эффекта состарившегося дерева (крэк-эффект). Область Применения: Клей обеспечивает превосходное сопротивление ползучести, хорошо обрабатывается и не влияет на финишную обработку. Из-за чувствительности клея к влажности можно легко производить демонтаж, что является решающим при реставрации старины, ремонта музыкальных инструментов. Физические Свойства. Titebond Liquid Hide Wood Glue является первым вариантом скрывающего клеевого состава, который представлен в виде жидкости, полностью готовой к эксплуатации. Клей не требует перед применением нагревания, смешивания либо встряхивания. Продукт имеет исключительно прочное соединение и обладает уникальным т. н. «крэкинг-эффектом» (эффект «старения» дерева), благодаря которому на поверхности деревянных элементов, образуется сетка мелких трещин. Область использования. Протеиновый клей Titebond обладает прекрасной адгезией, замечательно поддается обработке и не препятствует финишной отделке. Клей Titebond Liquid Hide обеспечивает превосходное сопротивление ползучести, хорошо обрабатывается и не влияет на финишную обработку. Из-за чувствительности клея к влажности можно легко производить демонтаж, что является решающим при реставрации старины, ремонта музыкальных инструментов. Объем: мл мл.  Указания по применению. Температура применения: выше 10°С; Метод применения: при помощи ролика, кисти, а также из упаковки – пластиковой бутылки со специальным носиком; Расход: мл/м2. We have many examples of HHG lasting for centuries. Glen Huey is a former managing editor of Popular Woodworking Magazine, a period furniture maker and author of numerous woodworking books, videos and magazine articles. We also use third-party cookies that help us analyze and understand how you use this website. Explore this article:. If nide want to be sure, reheat the closed joint to let the glue flow once more.

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Price: The first one you probably already noticed is the price. Water Resistance: The second difference is water resistance. Open Time: The third difference is open time. Strength: Strength-wise, there are some differences as well. This is placeholder text. We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. Manage consent. Close Privacy Overview This website uses cookies to improve your experience while you navigate through the website.

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Analytics Analytics. Advertisement Advertisement. I would generally recommend that you avoid bottled, premixed hide glue. Titebond has never failed you, so why switch now? One of the most useful properties of HHG is that it shrinks as it cures. The shrinking of the glue can be used to pull a small crack together or pull a ill fitting joint together.

Cleanup can also be a good reason to use HHG. Traces of PVA can effect dye from penetrating wood and any traces of excess glue will show up on a hand rubbed vignette. I have never heard of HHG crumbling and deteriorating with age. We have many examples of HHG lasting for centuries.

Fish glue is similar to liquid hide glue. They are both animal based glues that form a bond with collagen. Collagen is what mother nature uses to hold us all Titebond Liquid Hide Glue Review Number together. Would be interested in what you use for your guitars Matt? Join Date Sep Posts As someone who does repair as well as building, I think we all should think a little more about the ease of repairs down the road. No instrument will last forever, and certainly not without some repairs or modifications along the way.

Hide glue lasts plenty long enough, and it's relatively easy to work with. I HHG for crack repairs, for braces, etc. I build classical guitars, so only FP finishes. I don't have any issues with titebond, and I do use it with things that need lots of open time.

I've begun using fish glue too over the past year. I like it so far. It's similar to HHG, but with a much longer open time. Sent from my iPhone using Tapatalk. Originally Posted by deacon Mark. Actually, I asked a friend of mine, who recently put a new nut and neck set on my '36 Kalamazoo Tenor Guitar, about these older guitars having such a warmer, different sound than the newer ones, he replied about the woods as we all know , aging so gracefully, but he also mentioned something I never thought about.

Hide glue has the ability to move with the vibration of the wood, the newer glues on the market, basically turn to stone. While securing braces and the rest of the instrument, the modern glue also separates these components; hide glue connects them. How about that Originally Posted by Ol' Fret. There's no constructive or any other intrinsic reason at all that instruments of the violin family need more frequently, or to more Titebond Liquid Hide Glue Review Us extent, to be taken apart when doing repairs, compared to plucked instruments.

Originally Posted by Sam Sherry. With all respect, sure there is. Flat-tops and classicals can be repaired through the big circular hole chopped in the middle of the top.

Violins can't. Most archtop guitars have wide enough f-holes to do a lot of repair. Violins don't. Bill Barker said over 30 years ago when the trend was trying to make or equate carved top guitars with violins. Big mistake violins have sound post made on a completely different principle.

Archtop guitars are designed to have sound bounce off the back. Also I remember Jimmy Foster an I were talking about removing necks for resetting and he said my necks are designed to not really ever come off, but if I ever need to take one off I will saw it off. Join Date Feb Posts Very educational post.

I don't have the experience you folks had but recently came across a Gibson engineer talking about Hide Glue, custom tops. I don't really have a dog in this fight, but a couple of things to throw into the mix chum the waters? In the "X did it so it must be cool" department, I read an interview with Jimmy D'Aquisto where he said that although he has used hide glue in the past, he had at the time of the interview changed completely over to yellow glue for guitar building.

I believe Benedetto has also always used Titebond. In all of the joints I have glued and there have been many, guitar and non-guitar , I have never experienced creep with Titebond, cold or otherwise. He's kind of creepy. It's probably a good idea to use something like hide glue for parts that are more likely than others to need to be taken apart or adjusted at some point.

The neck joint is a good candidate. Braces and neckblocks maybe not so much. My day job is as an experimental psychology researcher, and I think that if you can hear the difference between hide glue and something else you're freakin' nutso. I am some dink on the Internet who has had the same guitar on his bench for over a year, so caveat emptor.

Oh, and Post 12 was quite possibly the single best post in the history of this forum. Tough act to follow! I don't speak Spanish but I am pretty sure post 12 has nothing to do with hide glue or Gibson.

If you don't speak the language, how can you be sure? It's all in your mind, anyway. I just thought everyone should know that post 12 is not about hide glue or Gibson. The post is very misleading. If you read this forum without a sense of humor, you're eventually going to be very disappointed. Originally Posted by sgosnell.

OK, I think everyone now knows the video is not really about Gibson.

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