Asees Kaur. All three of those videos were 2091 before Normani, who was raised in New Orleans and Houston, turned 7. Fantastic Beasts and Where to Find Them. As Laura Snapes wrote for PitchforkGrimes' "Oblivion" is both reminiscent of a simpler fere before Grimes swiftly dismantled her own brand by defending capitalist beau Elon Musk and enduringly futuristic, with a "gargled bass line that still sounds tailor-made for the exact moment when aliens lower their drawbridge best rap workout songs 2019 free Earth. Updated on March 01,

The sinister, industrial production of "Prblms" intensifies a lyrical message that's shockingly blunt and actually kind of cruel, but in a disturbingly real and relatable way. Everything 6lack pronounced "black" says feels true — which makes sense, since he built the track using lines from real-life conversations, arguments, and text messages.

The Neighbourhood's alt-rock, dark-pop hit preceded a landscape that has welcomed similar genre-bending sounds from Post Malone and Billie Eilish — and it still feels like a fresh new listening experience every time autumn rolls around, begging to be intimately cataloged and tenderly narrated.

No one can actually hit that note you know the one when we scream-sing along to the chorus of "Chandelier" — at least, no one can hit it with the same tone and conviction as Sia — but that doesn't stop us from trying. While it's unlikely the song would've been the cultural moment it became without its unhinged music video — starring then year-old Maddie Ziegler, choreographed by Ryan Heffington, and co-directed by Sia herself — there's still a cathartic, anthemic quality to the confessional song that keeps us all singing along.

But first, it'll piss you off. I mean, "Lemon" would've been an arresting song even without the stroke of genius that is a Rihanna verse. It's one of those rare tracks that gets more and more addictive the longer you listen.

Somehow, Daniel Caesar managed to precisely crystallize that euphoric disbelief, that constant sensation of floating — and then enlisted Kali Uchis for her characteristically surreal vocals to amplify the effect. As Rob Sheffield Rolling Stone's resident Taylor Swift expert wrote , "'Delicate' is her triumph on 'Reputation,' a whispery vocoder rush that sums up everything she's about.

Yet as 'Delicate' proves, All That is what she was born to say. Isn't it? But it was precisely thanks to all those idiosyncrasies that "Latch" became a hit with general public, breathing fresh air into a crowded EDM scene and minting a brand new pop star in the process. Eight years after her monumental album "Body Talk," Robyn lured us back into her chromatic world with "Honey" — more specifically, the album's opening track "Missing U.

As a dance anthem about heartbreak, the song bears similarities to her beloved sad girl bop "Dancing On My Own" — designed for times when your feelings are so strong, the only thing left to do is to let them run all the way through you and out the other side. But it has also become a poetic symbol of Robyn's enduring power.

It's like they become even more clear, it's like you see them everywhere," Robyn said. That I've missed them. Despite her absence for much of the decade, despite the sorrow she's had to turn into glass, Robyn and her euphoria remain unvanquishable. Though it's clearly one of the singer's most autobiographical songs, there's something about its glimmering, winking quality that makes "Slow Burn" feel like a soothing balm prescribed for your own individual soul. Combined with Calvin Harris' slow-burn rise to stardom, it's no wonder why "We Found Love" remains one of the most successful singles of all time.

It's the song you want to hear when you're out dancing and the night hasn't quite hit its potential yet. As soon as that first note of "We Found Love" rings out, the atmosphere shifts; in exactly one minute and seven seconds, everyone will be losing their minds. But it is the song that feels most quintessentially Halsey at this point in her shape-shifting, multi-colored career. For a singer-songwriter who could be described as "punk" just as easily as "pop" — whose defiance, sincerity, and vulnerability seem just as important as her talents for singing and hit-making — what song could speak to her budding legacy more than an outsider's anthem on her debut album, only included on the deluxe version, that prematurely meditated on her own power and went platinum without any promotion?

Though it's certainly his most viral, it's not Childish Gambino's best song. But it's also true that "This Is America" is a disturbingly danceable earworm, blending Atlanta trap and Soundcloud rap and gospel pop and shrewd lyrics in a way that, it seems, only Donald Glover can.

You're bobbing your head to a funky guitar riff when, all of a sudden, you hear it: Thirty-eight seconds in, that "spine-tingling squeal" makes you realize this is a song you're going to be thinking about for a loooong time.

If "No Tears Left to Cry" was Ariana Grande's triumphant comeback single, confirming that she hadn't lost her optimism or range in the face of trauma, "God Is a Woman" let us know that we actually had it all wrong.

Generally, Grande's futuristic-angel album is best heard as a complete experience, with each song playing off and elevating the others. Listening to "Sweetener" feels like hopping from one cloud to another. But "God Is a Woman" exists in its own universe, taking a detour beyond the visible atmosphere and skyrocketing into Grande's vividly feminine paradise. This song seamlessly blends graphic imagery with a sense of innocence, using multiple references to the children's book "Where The Wild Things Are" to communicate an unguarded — and, in some interpretations, manipulative or violent — sense of desperation.

It coaxes you to feel sympathetic, to relate to that vulnerability, but then repulses you. All the while, those kaleidoscopic emotions are woven together with glittering synths and rippling melodies. Whether "Chanel" was intended as an ode to bisexuality or not, Frank Ocean's first solo single as an independent artist was a massively earned flex. Alongside the song's "dizzying piano melody and muffled beats" Rolling Stone , Ocean put his knacks for vivid imagery and genius wordplay front and center.

Vincent's third album, an avant-garde protest song that juxtaposes her ethereal vocals with thorny observations about objectification, internalized misogyny, and societal expectations. Sure, it was over-played for a moment there in , but it's powerful enough to beg our devotional attention years later.

It almost dares you not to feel Hozier's soulful wails in your bone marrow. As Hanif Abdurraqib wrote for Pitchfork , "Charli XCX is sonic science fiction," which is best exemplified by the closing track on her experimental mixtape "Pop 2. But "Habits Stay High " became a sensation for that very reason. Only an exceptional hitmaker like Tove Lo could write a seedy, explicit ode to post-breakup depression — full of confessions that an average person wouldn't utter to their best friend, let alone the world — and turn it into an anthem.

Remember when Kanye West was sort of punk rock? The explosive energy of "Black Skinhead," one of West's most subversive songs in a discography full of rebellion, didn't feel unwise or misinformed, like the vast majority of his recent work. It felt righteous, intoxicating, and impressively ahead of its time. It still does. Getting an A is all but guaranteed. Of course, the song was already dominating worldwide charts, but Justin Bieber's involvement marked a turning point in pop music.

It reigned over the Billboard Hot for an unprecedented 16 weeks, tying Mariah Carey's record from Its music video became the first-ever on YouTube to pass 3 billion views , and still has more views than any YouTube video in history.

It became the most-streamed song of all time. While "Despacito" lost all three historic Grammy nominations , the sheer outrage inspired by that snub speaks to the song's power. Having inspired a viral challenge, "Black Beatles" could have been a passing craze — but instead, Rae Sremmurd tapped into something so beautiful and bizarre that it feels fresh and exciting every time you listen to it.

In the words of legendary Beats 1 host Zane Lowe : "There's a hook every five seconds. One of the craziest things about that record is how strange it is. It's really inclusive, it references old geezers and all sorts of mad reference points. It's quite psychedelic. It's a really odd record. The outro's Soulja Boy sample is just the ingenious icing on top of the cake.

For an experimental song that sits in a quietly released EP, "Sober" has impressively enormous staying power. Travis Scott's official debut single "," a seven-minute statement with high-profile features, was ostensibly meant to announce Scott's entrance into the top tier of rappers — while its follow-up "Antidote" was a throwaway that he planned to leave off the album "This is for the real fans; the real ragers!

This is some vibes for the summer. This isn't on Rodeo… it's coming soon," he wrote on SoundCloud. Instead, it was the toned-down "Antidote," intended just for the "real fans," that heralded the domination of Scott's hallucinatory brand of rap in the latter half of the decade.

The genius was buried in its deceptive simplicity. Travis gives us crumbs in this militaristic melodic eatery and we consume them like a feast! The posse cut "Slide" is the most fascinating, irresistible pop song from a traditional DJ in recent memory.

As Pitchfork's Ryan Dombal wrote at the time , the combination of Calvin Harris' sleek California funk, two of rap's most adaptive guest stars, and Frank Ocean's "subtle radicalism" makes for an effect that is "magnetic and a little startling. All you need to understand the power of Kesha's "Praying" is to watch her passion, her righteous fury, while performing the song at the Grammys — assisted onstage by women like Camila Cabello and Cyndi Lauper, but in a room full of music industry titans who've probably whispered about her and rolled their eyes at her for years.

That this wrenching, soaring ballad — written about her experience overcoming sexual trauma and abuse — lost to Ed Sheeran for best pop solo performance, its singular nomination at that very ceremony, only underscores the song's urgent importance. This is not Tyler, the Creator's buzziest song "Yonkers," or his most beloved arguably "See You Again" , nor does it even come from his best album "Igor". But with "Garden Shed," Tyler does something incredibly rare: He lays himself bare, insecurities and all, while capitalizing on his strengths as a rapper and producer.

He raps over a luscious, sparkling chord progression, while employing his characteristic wit — and even reveling in a bit of Odd Future-era shock value — without hiding behind "characters" or disingenuity.

In the song's climax, frontman Ezra Koenig delivers one of the most compelling vocal performances of his career with some of his most impassioned lyrics.

Chance the Rapper is known for uplifting gospel-rap with a jazzy-pop twinge. But while he has creates full narratives on solo projects like "Acid Rap" and "Coloring Book," meandering through his own complex observations about faith and family, "Surf" is a euphoric popcorn mix. The album, which he made with his touring band, Donnie Trumpet and the Social Experiment, is "a celebration of friendship, and a tribute to the alchemic power of collaboration," Pitchfork.

Later, Chance would perform a Christmassy version of the song on "Saturday Night Live" and again at the White House for the National Christmas Tree Lighting ceremony — transforming its warm, smiling energy into a small but important moment in American history. It's difficult to translate the magic of "Into You. When it hits you, it lights up your whole body. The magic may have been best described by Grande's fellow singer-songwriter, Lorde, who called the song "maybe the closest thing to pop perfection i've ever heard.

The power of "Call Your Girlfriend" — an instantly classic pop anthem with a painfully unique point of view — was bolstered by its iconic music video.

If you've seen it even once, it feels like a possessive spirit that pulses through your body every time that chord change hits. It might be the closest thing we have to a national dance. It's the centerpiece of "Electra Heart" the sophomore release from Marina Diamandis, aka Marina and the Diamonds, who now goes by the mononym Marina , an avant-garde concept album that cheekily exaggerates female archetypes in order to dissect and dismantle them.

Marina, with her uniquely spacious soprano, may seem to be taunting a row of suitors "Would you get down on your knees for me? Pop that pretty question right now, baby" — but in reality, it's us she has wrapped around her finger.

Vince Staples' enduring ode to Long Beach is both loving and cynical. Proud of his home, Staples is at ease within this discord, but he doesn't shy away from its costs. Because he sees his city so clearly, he has no illusions: No one can run forever.

Before every pop star was rushing to pander to LGBTQ fans, Lady Gaga's "Born This Way" wasn't a case of coy queer-baiting: It was a confident and technicolor rallying cry, arguably lightyears ahead of its time. Now, looking back on the progress we've made this decade, the song feels downright prophetic. No other rapper captures complexity and contradiction as well as Kendrick Lamar.

A traditional reading would say he's instructing his competition to be humble and bow down, but then again, Lamar isn't a traditional rapper. He grapples with his own pride throughout "Damn," often treating it like a temptation, before reminding himself that the afterlife is waiting with a judgment. Perhaps Lamar is talking to himself on "Humble," struggling to take his own advice. And so the song is a force of nature either way: standing confidently on its own, but also playing an essential role to enhance a larger narrative.

Just two months before his death, David Bowie continued to do what he always did best: upend expectations, absorb varying styles, innovate, and give us what we didn't know we needed. The titular lead single from his final album is a minute Baroque masterpiece that resembles little from his legendary catalogue — or, for that matter, little in the history of music. When "Retrograde's" slow burn finally builds to its climax, that buzzing swell of electronic emotion, it feels like you're leaving your body.

The hauntingly beautiful, ornate sonic architecture is James Blake's finest work — perhaps best understood by fans of HBO's "The Leftovers," whose showrunners chose "Retrograde" to introduce audiences to its supernatural, rapturous reality.

There is something so deliciously Rihanna about "Love on the Brain," a startlingly beautiful ballad that feels at once vulnerable and combative. It's the dramatic, swaggering, palatial centerpiece of "Anti," her most ambitious and best album to date. It's also the best her voice has ever sounded, showcasing her impressive range to the point that some people thought it was recorded by two different singers. With its jarring honesty about monogamy's pitfalls, there is an open-ended strength within SZA's experience that feels available for listeners to latch onto.

As NPR's Jenny Gathright noted , by allowing the details of the affair to unfold plainly, without judgment or a defined moral stance, SZA's messiness feels like radical self-care. In February , no one knew who Abel Tesfaye was. When three songs were uploaded to YouTube under the username "xoxxxoooxo" , people thought The Weeknd was a band.

It was amidst this tantalizing mystery that "House of Balloons," The Weeknd's debut mixtape and creative peak, was unleashed unto the world. For many of us who listened in awe — fascinated by this anonymous voice who promised, "You wanna be high for this" — that magic won't likely be recaptured. Instead, "Ribs" evokes that universal sense of fleeting youth, when everything mattered and also nothing did, when you were worried about all the wrong things but somehow knew more about what mattered than the adults around you.

Lorde — who was still a teenager when she wrote this song — understood that nostalgia before any of us, and perfectly captured those vivid emotions, reflecting them prismatically across her synth-laden sonic architectures. Before Drake's Instagram-worthy lyrics were considered a punchline, before he was seen as hip-hop's resident sentimentalist, his relatability and sentimentality were innovations.

With lines torn straight from late-night texts, swimming through woozy synths that sound drunk themselves, "Marvins Room" rebelled against the expectation that rappers — and, more broadly, men — should be immovable, untouchable. Drake's mythology probably wouldn't exist in the same way today without the messy confessions of "Marvins Room. Despite its heart-wrenching lyrics "Don't I know you better than the rest?

Although FKA Twigs released one of this year's best albums , her single "Two Weeks" remains her standalone master stroke.

While 's "Magdalene" is a conscious-altering holistic experience, Twigs' debut studio album "LP1" had one clear zenith. The album's lead single, "Two Weeks," is a veritable feast of everything that has made her an indie-pop icon: spectral falsetto, throbbing industrial beats, otherworldly magnetism, and taunting sexual power.

As Laura Snapes wrote for Pitchfork , Grimes' "Oblivion" is both reminiscent of a simpler time before Grimes swiftly dismantled her own brand by defending capitalist beau Elon Musk and enduringly futuristic, with a "gargled bass line that still sounds tailor-made for the exact moment when aliens lower their drawbridge onto Earth.

The singer-songwriter-producer, born Claire Boucher, wrote the track to grapple with a violent sexual assault that left her "paranoid" and "feeling powerless. It's a song that's meant to be screamed — throatily, passionately, and with full abandon. Out of all the excellent songs Miley Cyrus has released this decade, from "Can't Be Tamed" to "Mother's Daughter" and all the bangers er, bangerz in between, "Wrecking Ball" is a glorious anomaly. It speaks to her talent and power that an emotional breakup ballad could cause such a frenzied devotion — especially in her post-Robin Thicke spotlight , amidst the myriad of ways she was mistrusted and mocked by critics and fans alike.

Ultimately, Cyrus' passion and artistry manage to shine through the noise. Few songs make you want to scream, dance, cry, march, and call your senator all at the same time — and even fewer manage it without feeling pretentious, calculated, or disingenuous. This is one of the rare times that an artist's song — one that wasn't even released as a lead single for her album, one that she actually thought people would hate — has eclipsed the one that made her famous.

Released just before we head into the next decade, "Bad Guy" already feels like something we'll remember as the inspiration behind many copycats, as a song that paved the way for a new kind of radio hit — and perhaps as more than Eilish's defining anthem, but a generation's.

Essentially three songs in one — and a non-stop roller coaster ride from start to finish, somehow only getting better as the minutes tick by — "Sicko Mode" is one of the most delightfully bizarre No. Not to mention, it's also the most invigorated Drake has sounded since 's "Back to Back. Many of Jepsen's die-hard cult-like followers would argue it's her best song to date. On a fairly regular basis, just as a point of principle, fans will express retroactively righteous anger about "Run Away With Me's" lack of nominations at the Grammys — even going so far as to circulate fake quotes from the Recording Academy explaining why it was snubbed "When a song is so ahead of its time, it's unfair to say it was released during the eligibility period, and that's exactly what happened with 'Run Away With Me'".

In any other hands, the song would've been a standard feel-good bop. A Moment! Lykke Li is at her best on "I Follow Rivers," a bizarre pop-rock-folk triumph that's soaked in an "eerie swirl of synths, reverb-swathed guitars, and pinging electronic percussion" Rolling Stone.

It's also one of those rare times a song was given new life with an upbeat remix that nearly surpasses the original's ingenuity and melodrama. Many of those songs became hits because Drake recognized rising musical styles dancehall, bounce, etc. But "Hold On, We're Going Home" isn't just a certified classic within Drake's specific catalog: Back when he still had something to prove, he made a timeless love song that will surely outlive his meme-able legacy.

As Jason Parham wrote for Pitchfork , this song "is not consumed with the moment, as Drake songs routinely are, but with forever. We'll likely never see anything like this song ever again. How fitting that the preeminent song on James Smith's solo album, "Loud Places," best illustrates his chemistry with Romy Madley-Croft, his bandmate from The xx. The duo's palpable tension makes this song feel like a living, breathing, growing creature.

Smith conducts a gospel-like chorus of chants and drum beats and hand claps, swelling around Croft's breathy croons — and transforming the song from an intimate confession into an all-consuming, gravity-defying hymn. When the song ends, it feels like you're coming down from an adrenaline rush. The answer is yes. In the years following, Rihanna went on to release her career-topping album "Anti," as well as launch a myraid of game-changing beauty and fashion brands, cementing her permanent mark on culture that now extends far beyond music.

The song is sheer power personified, flipping gender stereotypes by repurposing a lyric coined by controlling pimps, typically used by men in sexist revenge fantasies. Even as we whine and pine for new music from our High Priestess of punk-pop, no one needs reminding anymore who's in charge.

Everytime she drops, she is the only thing we're playing. In the beginning of the decade, Nicki Minaj was a buzzy, up-and-coming rapper who was best known for delivering the best verse of the year on Kanye West's posse cut "Monster. It made major waves in rap-obsessed circles — but Minaj didn't become a cultural touchstone until "Super Bass" caught fire. When it was rereleased as a single in , the bonus track seemed to contaminate the country's water supply, infecting everyone — Taylor Swift , Selena Gomez , and Ariana Grande all knew the lyrics by heart — with its pop-infused combination of rap and melody.

The song hit like a sugar rush with a hint of something harsher — something tart, sharp, and acidic — establishing Minaj as a top-tier rapper as much as an international pop star. You may not know this song by name, but as soon as that first chord hits, you'll feel a familiar euphoria. There's a discomfort here, but it's poignant and vivid and keeps you coming back for more, like a masochistic teenage romance. There are plenty of songs from Swift's official pivot to pop music, "," that might feel at home on this list.

Swift herself is particularly proud of the production on "Out Of The Woods. And yet, none of them come close to the transcendent experience of listening to "Style," which is sheer pop perfection from start to finish.

Its percolating guitar riff and polished synths expand gradually, creating an otherworldly third space that exists between what's been said and what hasn't.

Swift and her lover are suspended there, driving in the dark, unseen and timeless. Lyrically, Swift has rarely been more in control. Each winking detail has been carefully chosen; each image is precisely painted. The song's narrative builds and smolders, gradually, until the climactic lament "Take me home!

The moment feels like an explosion, or a rebirth. That euphoric uncertainty is the whole point. The opening track is a hypnotic, humid slow burn that showcases some of frontman Alex Turner's most masterful lyricism to date: "Have you no idea that you're in deep? By the end of the song, you're winded and longing for an ex that you didn't even know you missed.

The pulsing two-part showpiece heralded a new dimension to our most private superstar, who had created her most personal album yet. The traditional read: misogynistic platitude is that a woman is beyond her prime once she's married, and especially after she's given birth. Stigmas and narrow expectations for mothers, especially for black mothers, still run rampant.

For such an egomaniac, West's collaborative skills remain unparalleled. It says a lot that in the midst of "Ultralight Beam," which boasts some of West's best production to date, he decided to hand the mic to Chance the Rapper. And Chance, already a formidable lyricist in his own right, handed back a career-topping verse that paid direct homage to West's influence. Strokes of genius like this illustrate why many West fans refuse to give up on him and his potential for creative redemption.

Two albums later, we may have to grapple with the fact that "Ultralight Beam" was his last. It sort of sounds like an arcade video game, and also like the work of a chill David Bowie enthusiast who makes beats in Brooklyn, and also like aliens crash-landing on our planet in a spaceship that resembles a disco ball.

Fittingly, "Dance Yrself Clean" is the opening track on the band's album, "This Is Happening," which was intended to be their final release. They returned seven years later, proving that dancing yourself clean really can do the trick. I am fully aware that the popularity of a song does not necessarily translate to its objective quality. This, however, is indeed one of those times. Think of everything you want a pop song to be.

Now try to tell me that "Uptown Funk" doesn't succeed on every single one of those levels. It's no fluke that it's been the cornerstone of every party, workout, and pump-up playlist worth its salt for the past six years; sometimes, a song is so catchy and fun and universally beloved that it escapes rational critique.

Lorde's sophomore effort "Melodrama" is one of the decade's finest, most cohesive albums, on which each song enhances the others. They shine individually but brightest as a whole, like Ursa Major, with its distinctive Big Dipper pattern and commanding place in the night sky. Enter New Email ID. Let us know you better Full Name. Submit Later. Profile Successfully Updated. This Email ID is already registered. Submit or click Cancel to register with another email ID.

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