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06.02.2021I was a resident deejay at Danceteria , and it instantly became my peak hour record that put everyone into a hypnotic frenzy. It was seven-and-a-half minutes minutes of dance floor bliss that became the sound inside every New York City dance club and every block party boom box.
Band's "Just Be Good To Me," it was coming out of an alarm clock radio, waking up my then-wife to get to her day job as a lawyer. Hearing that opening cowbell pattern was more of a shock to my system than a cold shower—someone else had used my secret weapon: the cowbell of the This was one of the tracks that really got me interested in hip hop.
I remember hearing it when I was starting high school and it just resonated with me, literally! The decay on the kick—as with the rest of the LL Cool J tracks that used the —is just so beefy, and along with his trademark lyricism you just can't help but sit up and take notice. This track is an emblem of creativity. Reversing the beat was a moment of genius. It's crazy to think how mad this track is.
It's featured in the film and still blows my mind every time I hear it. The enthusiasm of the Beastie Boys when talking about it still today shows that this track is rightly one of the landmarks of their awesome discography. But I do remember immediately thinking it was a real game-changer. Here was a rap record that sounded like it was recorded live at a hip hop club.
And that booming kick drum—I had never heard anything with a sub low end like that. The one that got away. It's deep and cold like the can be, but feels passionate as it goes on and intensifies. A great track and great example of how relevant the remains today.
There was a vocal, but no one ever played it. This song was one of the first and best of Italodisco, and influenced groups like New Order on both "Blue Monday" and "Confusion.
It's a tribute to the most famous drum from the 's arsenal: the kick. Felix takes it on a journey and ramps it up to the maximum. One of the things that's so great about the is how it's been taken on so many different tangents and has been twisted by so many different producers and artists. The strangest back-in-the-day track featuring the would have to be Strafe's "Set It Off," which, again, I first heard at The Funhouse. From the vocal call to party, to the dirtiest hi hats I'd ever heard make it to record, to the hypnotic tom pattern, this is a classic that still rocks the dance floor.
The lack of low end was due to born-again remixer Walter Gibbons ' belief that bass was a tool of the devil. This track haunted my club nights in my youth.
It is depraved and sensual. It is hypnotic and erotic. But it is not about the climax voice; it is the pacing and the way it builds and controls its audience. Description : Full auto UKD beat - prd.
GaryDavies 25th Feb Tags : Trap 2. Gixxie 25th Feb Tags : Hip Hop 5. BeatWerxStudios 25th Feb Tags : Rock 1. Elkazz 18th Feb Tags : Trap 3. Description : bpm Energic beat with hard Melodic. JNStream 2nd Feb Tags : Hip Hop 1. Description : Full type bass with background vocals and and broken chords. BeatStas 28th Jan Tags : Hip Hop 8. Tags : Breakbeat 9. MPOProduction 24th Jan Tags : Trap 4.
Tags : Trap 7. Description : Brand new track made in Ableton Has a great vibe and a deep AwjAslan91 6th Jan Tags : Lo-Fi 2. Tags : Chill Out 3. AwjAslan91 31st Dec Tags : RnB 2. BeatStas 19th Dec AwjAslan91 2nd Dec Tags : Rap 2. Description : Prod. Description : New trap beat called kalimba from the new EP for breakfast. Tags : Trap 5. Boogieskippo 31st Oct
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