Hallion, Richard P. Monday May I wound up with enough for a pair of water skis. However, the precision instruments used to carefully document the speed of Yeager's flight were not used during Welch's flights. Ushers rushed across the stager beating back the hands, but as fast as they were pushed away, new ones appeared, clutching. First produced in and decommissioned inthe A-1 was a aound first step in the creation of the iconic flight jacket. Sunny weather with temperatures of up to 63F forecast for the end of March - just ejt time for the easing of lockdown restrictions and the return of outdoor gatherings Mother-of-two, 42, thought she was going to die when violent boyfriend kept her prisoner and battered her after she refused to give him money At least nine cars in car park used by NHS workers are vandalised by thugs jet planes breaking the sound barrier jacket their windows smashed during 'Kill The Bill' protest riot in Bristol Royal Navy warship will patrol from Gibraltar for first time under Britain's jet planes breaking the sound barrier jacket review - but ex-Army Colonel warns of 'huge mistake' to cut 10, troops as Chinese forces grow at a 'frightening rate' Boris Johnson warns that a THIRD WAVE of Covid in Europe could 'wash up on our shores' as he squares up to furious Tory backbenchers demanding he speed up England's journey out of lockdown or risk 'squandering the advantages' of the vaccines' rollout MOST READ IN DETAIL.

An article published in the Wisconsin State college newspaper that advertised a performance by Rick at the auditorium for the college's homecoming dance the following October described them then as a ten piece orchestra made up of young men with a style that was "refreshing. Sadly, Rick died in an auto accident in Sawyer auditorium would also see use as the home court for La Crosse State college's basketball team, the Indians, beginning in Beginning in June of , the auditorium was also used to hold the graduation ceremony of the Wisconsin State College.

Rock acts that ranged from Herman's Hermits and the Buckinghams to Journey and Van Halen would eventually perform in the arena. It was also home to political events. During the s the auditorium was no longer considered adequate to host trade shows or conventions and a new venue was planned. The last official event staged at the Mary E.

It remained essentially unused from then until the county bought the building in and razed it in March to make way for a new county building. As a result of the Freedom of Information Act, the F. Though he was never the subject of an investigation, for the most part, their records consist of copies of letters from members of the public commenting on his performances, newspaper clippings, and documents reporting that he was the target of extortion attempts and death threats.

The La Crosse letter was not the first. Surprisingly, the agency received the first letter as early as April 11, , from someone in Memphis no less, warning of his "immoral behavior and indecency" and stressing censorship. About ten years ago, Vinje Dahl, now the owner of Dahl Ford in Davenport, Iowa, dug out his long lost negatives and selected ten of the best shots.

The rest he hoped to sell to collectors. Lindy Shannon was repeatedly asked over the years about his impression after meeting Elvis, and his answer never varied. He was a shy, polite young gentleman of apparently good upbringing who always addressed me as sir, although I was his senior only by seven years. Emil Flaim. Emil Flaim continues to perform. Special thanks to them and to Pat Smith of Classic Rock Sawyer " by La Crosse Tribune staff - Sep 7, This review of the La Crosse show appeared in the Monroe County Democrat newspaper in neighboring Sparta, Wisconsin three days after the show.

The occasion was the first Public appearance in Wisconsin of Elvis Aaron Presley — certainly a sociological phenomenon as well as a singer of songs. Presley appeared at the Mary E. Sawyer auditorium in La Crosse Monday night and to say that he fractured his near-capacity audiences of howling teenagers is stating it mildly, indeed.

Teen-Age Rage Mr. Presley, in case you have not heard, is the current teen-age rage and that, too, is understating it. He is a year-old youth whose face is distinguished by bushy sideburns.

His hair is tousled and flops down over his forehead while he furiously flails a guitar, occasionally hitting a string. He is a tight trousered youth who sings incomprehensible words to songs which sound like they were written by cavemen.

His voice, however, is not what sends his audiences into hysterical frenzy. It is the wav he moves when he sings them. That was enough. Several acts preceded the great man's appearance. There was a shapely blonde female vocalist, a comedian, an Irish tenor, and a quartet. These acts were good, but when you are on a bill with Elvis Presley you may as well have stayed home.

The impatient audience gave them half-hearted applause. Vendors coursed through the audience carrying with them armfuls of glossy photos of Elvis. They sold like hot-cakes even though the smallest was priced at 50 cents.

The large - billboard size photos - sold for a dollar. The intermission over, a seven piece band which had accompanied the previous acts, again took its place. There were loud moans from the balcony as another 10 minutes drifted past without Elvis.

Suddenly there was a loud shriek, 'There's Elvis," a female voice screamed. The audience rose as one and the noise was as though Allan Ameche had plowed over the one-yard line with the winning touchdown. There were perhaps 4, there - 75 percent females and 75 percent under the age of The noise that rose however sounded like 40, people who had just sat on tacks at the same time. The roof of the Mary E. Sawyer auditorium quivered. False Alarm The shout , however, was a false alarm. It wasn't Elvis at all standing there at the side of the stage.

It was one of his orchestral henchmen and he wore a scarlet jacket, black trousers and black bow tie. He grinned broadly. The noise subsided, but only for a moment. The seven-piece band left the stage and Elvis' crew bounced up the stairs and took their places. There were three of them. One of them carried a guitar-with wires trailing to a loudspeaker.

Another took his place behind a glittering array of drums. The third trundled a bass fiddle with him twirling it for effect. Still No Elvis Pandemonium was again released as the audience sensed the great moment coming. There were some who thought Elvis was among the three on the stage and they screamed like banshees. But Elvis had not yet appeared. When he did appear it was like D-day on the Normandy beaches, the atom bomb on Hiroshima, Eddie Mathews hitting a game winning homerun at Milwaukee county stadium, and the sound of jet planes breaking the sound barrier, all rolled into one.

Sawyer auditorium shook. The sound grew in great waves as Elvis leaped up the stairs and burst upon the stage. His appearance was a colorful one. He wore an orchid colored jacket which hung loosely on his better than six-foot frame. A guitar hung by a thong from his neck. He came to the center of the stage, spread his legs wide and leaned back, By this time the shrieks were disturbing seismographs in far away places.

But the noise was nothing compared to what followed. Elvis leaned back, opened his white silk sport shirt and a great expanse of bare chest appeared. He grabbed the microphone. The drummer thumped his tomtom and the guitar player stroked his instrument. The bass fiddle player thumped sensuously in the background. The shout that shook the Mary E. Sawyer auditorium at that point ls beyond description. Stampede In Balcony The explosion touched off a stampede.

The balcony audience left their seats and surged to the railings. Soon they were pouring over the railing in great waves. Ushers attempted to stay the onrush, but they were swept aside. On stage Elvis was going through his jackhammer gyrations and with each quiver, new shrieks rose to the ceiling. The balcony audience flowed to the front of the stage overrunning those who held seats there. Soon everybody in the place was standing and Elvis, his guitar hanging from his neck and as yet untouched, bellowed unintelligible songs into the microphone.

Hands reached up to grab him, but Elvis, wise in the ways of his audiences, was careful not to wander too close to destruction. Ushers rushed across the stager beating back the hands, but as fast as they were pushed away, new ones appeared, clutching. Loudspeakers ineffective. This reporter sat directly under a gigantic set of loud speakers and it is a fact that after the first few chords were struck and the first few words sung, nothing but a continual shout and shriek was heard thereafter.

The least, little movement by Elvis was given thunderous acclaim. He held one hand at his side, wiggling his thumb. The audience was carried away in the transport of delirium.

It is a curiosity that he struck his guitar strings only a few times - if at all. This reporter did not see his hands near the strings all evening. The noise was so great that an elderly man, after only five minutes, staggered up the aisle towards the exits, holding his hands to his ears and shaking his head.

Woman Holds Child A woman, carrying a small child , was in the mass packed around the stage. She passed the baby over her head to someone in the rear and then fought her way to the front. Elvis continues to quiver and shout into the microphone which, at times, was held parallel to the floor and at other times entwined in his legs. Occasionally he would jerk his way from one side of the stage and gyrate there like a cork screw chewing into a champagne cork. He was something to see.

At times he would advance to the microphone to say something. He would reel around the stage then, clutching the microphone, his guitar still swinging from its thong. Elvis Quivers One number required the services of a quartet and the group dutifully marched onto the stage.

But as soon as the song began, nothing could be heard. The quartet looked at each other with puzzled faces. Elvis just quivered. At one point the wires leading to the electric guitar were disconnected. Nobody noticed the difference. The guitar player, in fact, left the stage. And Elvis kept quivering. The drummer gave up at another point. Although he smote his percussion instruments with the strength of 10 men, not a single thump was heard.

The drummer got up, stood on his chair and flailed the empty air with his sticks. Elvis quivered in orchid splendor. Photographers roamed across the stage, literally drowning in pictures. There were newsphotos everywhere.

Drums pounded. A middle aged husband nudged his squirming wife. The performance lasted only 26 minutes. It finished characteristically, Elvis howled his last note into the microphone threw his hands wide and in so doing flung the microphone to the floor.

Before the microphone hit the floor, Elvis was running toward the rear of the stage. He was not quivering now, he was in full flight. The audience pursued him. Down came the curtain of a dressing room at the side of the stage. Military police, City police, special police, firemen and ushers fought the onrushing crowd. Elvis, exhausted, collapsed somewhere in the building.

That was the 7 p. There was yet another to follow at p. The crowd gathered early for Elvis at La Crosse. They were waiting outside at 4 p. After the show they dogged Elvis to his hotel Stoddard room where he, late at night, stuck his head out the window, eliciting one last shriek from his hot breathed admirers. It was a night to remember in La Crosse.

Previously unpublished Pics from La Crosse. Complete issue here. Old pictures tell the story of the day Elvis came to town. Rudrud got the photographs of the May l4 concerts two shows from his late uncle, Ray Plamadore, former general manager of the Mary E.

Sawyer Auditorium, where Elvis performed. For newcomers, the auditorium was formerly on the site of the county building on 6th and Vine streets.

The collection includes photos photographer unknown of Presley's concert - his first in Wisconsin, his three-man band, local fans and a backstage interview of the 2l-year-old Presley by Lindy Shannon, a well-known local radio show host and music promoter.

The photos, moreover, led Rudrud to another insight of interest to Elvis fans: a You Tube slide show with audio from the Shannon interview. The slide show provided no background as to who was doing the interview. He died in The interview includes discussion of Presley's two-year music career, hints of a movie career yet to come, his First Vegas visit and more. This section contains excerpts originally published in the September 17, edition of Second Supper.

The Venues. La Crosse Murphy Library As Peter Guralnick wrote in Elvis Day by Day , from this point on, virtually all of Elvis' personal appearances were variety shows produced by the Colonel, on which no other performer who might be considered a rival as opposed to dancers, jugglers, and Irish tenors appeared. Sawyer Auditorium - May 14, Photo courtesy Ger Rijff's "Talking Elvis" While a full house yelled like wild banshees at the floor shows acts that preceded the king of rock 'n roll, Elvis himself was pacing nervously near the entrance to his dressing room, his guitar lying carelessly on the floor.

Image via J4Jackets. If you were scanning this article to find the Top Gun jacket, this is it. You can own your own piece of military history patches not included from Buzz Rickson.

This was a bulky sheepskin jacket with a heavy-duty sheep-fur lining meant to keep folks warm 25, feet in the air. General George S. Patton in a B-3 flying jacket in Image via the Library of Congress. For extra protection, the wide sheepskin collar could be closed with two leather straps. Far bulkier than the flight jackets, the B-3 does not have the knit waistband and trim fit that made the other jackets famous.

Rather its warmth and durability made it a hit, even with Army General George S. A heavy-duty jacket designed for the sub-freezing temperatures of high-altitude flying, the B-3 is a great, time-tested option.

Flight Jackets. Left to Right A-2, B-3, and B Image via Sierra Hotel Aeronautics. The B-3 peacefully coexisted with its slimmed-down cousin, the B The B-6 arrived on the scene around and reflected the improving conditions in the bombers for pilots. With cabins slightly warmer, the B-6 was a slightly lighter weight version of the much bigger jacket.

You can see in the above picture that the B-6 fit quite a bit more like the other slim flight jackets, while still retaining many of the most important features of its predecessor. With just slightly less shearling for a slimmer fit and only a single throat latch, the B-6 was a somewhat more wearable garment. Real McCoys B Image via The Real McCoys. Somewhat of a one-off, the B-7 Parka was designed specifically for the men flying in unheated cockpits in the bitter cold of Alaska.

The three-quarter length jacket is made from shearling like its B-compatriots and has a coyote fur lined hood. It was only made for one year from to and discontinued due to its high production cost. The B jacket arrived in and phased out the previous B- models. But as can be seen in the last couple of photos, the timeline for these comings and goings can be a little messy, with different units wearing different versions of jackets and many different contractors designing slightly different models of the same jacket.

But, back to the task at hand. The B was a cloth jacket that came with an alpaca fur collar and lining. It very closely resembled the G-1 jacket, with the same style pockets and the zip-closure without a wind flap. This lighter-weight jacket was not nearly as warm as the sheepskin jackets it discontinued, which must also be seen as evidence of advancing technology, or at least warmer plane cabins.

The jacket was released in various olive drabs and navy blue and became incredibly popular even outside of the Air Corps. The B had a mouton fur collar and the wool knit waist and cuffs of many of the previous models but was produced in a variety of different shell materials, including nylon and a cotton-rayon blend.

Also new was a pen pocket high on the left upper arm of the jacket, a detail that would remain and grow for decades to come. Chuck Yeager in a B Image via U. Air Force. This jacket went mainstream just as the so-called jet age began, with Chuck Yeager breaking the sound barrier in and The United States Air Force becoming its own independent military branch in the same year. Planes had changed quite a bit since the quaint little Wright Flyer left the ground and so had the clothes of the people that flew them.

Image via History Preservation. Like this? Know Your Button Types: Donut vs. A-1 Jacket. Steve Mcqueen. G-1 Jacket. Image via Life.

Oak Dining Table Black Legs 600 Diy Colorado Flag Wood