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To me, that seems to defeat the effect of the molding. But it does hide a multitude of sins. When Irving P. Like this drawer front from the cupboard at the Metropolitan Museum of Art. No matter, I decided I need the practice, so I began a piece for the front of a box. I have on the bench a perfect piece of white oak, riven radially, straight as an arrow and planed a year ago or more.

I skimmed it again just to freshen up the surface and make sure it was as flat as I could get it. First decision was how many rows? So I settled on four rows. And that gave me the centers for each row. I did two rows from one edge, then had to flip the board around to reach the other two rows. Close enough to a quarter-inch I guess.

Next comes the molded edges to each of those grooves. To do that, I use a scratch stock. You could make a dedicated plane, it would make sense if you were doing a lot of this.

The cutter is filed from an old scraper or saw blade. But you can speed things up a bit by removing some excess stock first with a round plane. Just a couple of swipes is all you need. I was shooting still photos and videos, and changing setups around.

I got a bit past this point, but this a good place to stop part 1. Underway, but ran out of light. And energy at the same time. Funny how that works. Some I downloaded from museum websites, some are scans of prints, some shot with an ipad, etc.

Some citations at the bottom]. Thanks Rick. Otherwise it seems promising. The large notebook at the bottom of the heap is mostly field-notes — measurements and descriptions from examinations of the 12 cupboards we saw when working on our article.

At least one table too, a folding example from the Metropolitan Museum of Art. The date range runs from — this chest of drawers at Winterthur — dated on the middle part of the bottom drawer. The other end of the date range is , incised on this chest with a drawer at the Hoxie House in Sandwich Massachusetts. I took this lousy photograph, pretty much on the fly one day.

The date and the initials IP are carved on small plaques at the bottom of the middle panel. This shot of the Massachusetts Historical Society cupboard has a little of everything, except carving. It just looks like one.

Eventually, it came out of the woodwork, was re-restored and is now at Chipstone if I remember right. One of them was a hen coop in the 19th century. Irving P. They are collected in Robert F. Irving W. Lyon, Irving Woodworking Turning Blanks Key P. The longer one we did when Alan Miller worked along with us is online, but the printed volume has all the illustrations, the website sometimes has fewer. This one will do it, planing the stock.

I felt like I was moving in slow-motion. But I was being extra careful — I want this chair to come off without a hitch. The photo above is where I quit.

The day started off laying out the housings for the two oak battens under the seat. I marked that line, then used an adjustable bevel to layout the angle from the beveled batten.

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