Dre feat. By using this site, you agree to our: Privacy Policy and Terms of Service. Like Jamie Best rap lyricists today video — but really not — flapping a foppish fan around the masked balls of the Regency period, Wild Beasts utilise similar techniques but in a more classical, baroque manner: billowing out rhymes like powder tumbling from a three-foot wig, eschewing Best Rap Lyricists Today Us coherence in favour of expressionist imagery. Ahh, shit! Carter, of course.

This line speaks to how important rap is -- how important any form of expression is -- to the artist as more than just a career or way to entertain. Some rappers pour their souls into their lyrics, and you can bet that a rapper like Scarface wouldn't dare use a potentially effeminate word like "diary" unless he was doing just that.

This is personification at its best -- unexpected and complex. You would expect trouble to be uncaring and unkind, but K'naan presents trouble as a soothing figure.

The inclusion of the word "overdose" also suggests that perhaps trouble is operating as a kind of drug, and K'naan is so accustomed to it that he goes into withdrawals without it. The assonant use of the hard "oh" vowel sound also gives this couplet a pained, longing feel. You just stuck in a loop ". Hopsin calls into question the ideal of "realness" in hip-hop, which has long been affiliated with street cred. Hopsin turns this value on its head and likens those hustling in the drug game to hamsters stuck running nowhere in their wheel.

To be sure, the line is cruel and unsympathetic, but Hopsin's never been one for sparing feelings. And the truth hurts: The drug game has no winners. With this line, Run-D. They turned shoes into something more than the leather and rubber they're made from.

You get the sense that the shoes of Run-D. Shad's wordplay is so subtle, so effortless, you don't even realize he's doing it at first, and when you do, you think back and say, "Damn, Shad. That was dope. Cole retroactively forgives those who would judge his music before even listening to him, thereby removing all power from potential haters.

Somewhat ironically, given his name, Masta Killa meditates on the difference between homicide and the death penalty, and implies that civic systems that practice the death penalty may be acting hypocritically. Nobody can describe hopelessness like Cage can. How do you keep your head up figuratively when you can't even keep it up literally, and how do you keep yourself together when your body falls apart every time you try to stand?

This is one of those lines that you have to hear to appreciate. It's the kind of line that borders on narcissistic -- and Cudi is kind of a narcissistic guy -- but the personality with which he delivers the line makes it sound so genuine, and it comes off as more humble than anything.

You really feel as though he's made the song just for you. Unlike a lot of MCs who act tough in their raps, Prodigy gets very real very quick in a way that's brutal and shocking. Part of the power of the line comes from its brevity; it comes at you so fast, it hits you like a blow to the face. And it's so easy to picture -- and that picture is not particularly pretty. Ren playfully but decisively inverts the relationship between police and the racial minorities by pointing out that, in his streets, the minority is the majority and has strength in numbers.

Police may have the advantage most times, but not in his neck of the woods. Common explains the profound pain that went along with the decision to get an abortion. He contemplates the joy of raising a child, thinking about being responsible for another life, another mind and a path through which he could extend his own life, before ending abruptly with death.

An object is not simply a form, a collection of components. Its true value lies in what it can be used for and what it means to the people who use it.

When your home burns down, you lose more than just a house; you lose your sense of security, belonging and whatever else comes with having a home. For Jay Electronica, the radio is a tool with which he can reach millions of ears. The proliferation of his music isn't simply transmission of sound; it's his mode of expression, and, as the rest of this section of the song explains, a tool to teach and connect people.

Besides the impeccable sound of the second line, replete with assonance, consonance and internal half-rhyme, the desperate but pitch-black funny Vince Carter metaphor is so powerful. Earl speaks about trying to climb out of something dark, but the figurative weight of his sins is keeping him down like Vince Carter's old knees Vince Carter could once fly like even Air Jordan couldn't.

Earl takes something very abstract and makes it very real and visceral. This line encapsulates the paranoia that informs the belief system of the revolutionary. Whether or not you believe Huey Newton was a good person is irrelevant to the tragedy of his death, given what he was trying to do and that he died at the hands of a rivaling revolutionary faction. Lil Wayne is a master of surrealism, and "I Feel Like Dying" is one of the best examples of surrealism in rap.

Wayne describes his experience with drugs as if he's in a dream, and it all seems to make sense in both the literal and figurative senses, as it does in dreams. The line about wine is particularly resonant in that, when people fall into depression, they find comfort in the bottle.

The experience of drug-taking is rarely so vividly described, and nuanced both with the joy of experience and the despair of dependence. The word "ill" was invented for rhymes like these. The gist of what Cage is saying may be simple: I'll burn your house down and kill you. The way he says it is completely fresh, combining the two familiar idioms of pouring liquor out for the dead homies and a dead man walking, then coming full circle, telling you how you'll die with a dark and funny Talking Heads reference and a perfect rhyme.

Besides the content of these lines, which is powerfully descriptive, and the tone, which echoes the stress and frustration of the first few lines and the release of the last, the collage of sound that Eminem constructs, with alliteration, assonance and internal and multisyllabic rhyme, is impeccable. Most rappers can't rap with the conviction nor the technical skill that Eminem does, and Em pulls them both off at the same time.

Yeah, it's a simple line, but rolling like a g is a simple joy, and nobody has put it to music better than Snoop Dogg did here. Ahh shit! Big Daddy Kane beautifully illustrates the creative process and delivers the lines as if he's dictating what's happening as it occurs. You can almost see the words floating around in the air, rearranging themselves until they make sense and culminate in indescribable epiphany. Ahh, shit! Ice Cube brilliantly reworks the idiom, "A bird in the hand is worth two in the bush," as a critique of then president George H.

Bush and government more generally, including civil rights activist Jesse Jackson. When the law doesn't work in your favor, and your back is against the wall, it's easy to justify drug dealing as a means of survival a "bird" is slang for roughly 36 ounces of cocaine. Ice Cube's wordplay is especially effective because his message also works in the context of the original idiom that it's better to use what you have rather than count on help that may never come. This is such an arresting image -- it makes no logical sense, but is somehow incredibly emotionally resonant.

Maybe the red eyes draw the likeness to a demon. Or maybe it's the pure suffering, which manages to reach near-Biblical proportions. We pity Raekwon's character in the most repulsed way, like a fallen angel. Aesop takes one of the most treasured tropes in hip-hop and skillfully denies it by extending the metaphor of life as a woman and trading cynicism for wonderment.

And not only does he reverse the perception of life, he puts a microscope on the word "bitch," suggesting that the label is less indicative of what's labeled and more the labeler's own insecurity.

The first image in this rhyme is of Wayne floating beyond this world, seemingly without limits. Then, immediately after, he cleverly uses the ironic slang term for Xanax pills bars to enrich his commentary about his relationship with the drug, as a prisoner.

The lack of a transition between these images suggests that they are happening concurrently. Wayne is on a trip, yet he's ultimately confined -- the tragedy of drug use. Kendrick borrows biblical images of the apocalypse to give importance and immediacy to the words that follow: Stand for something, or die in the morning. He is symbolically suggesting that judgment is coming tomorrow and that only the righteous will be saved -- or perhaps he's implying that judgment comes each day and every day you don't stand for something, you're virtually dead.

By magnifying usually unnoticeable phenomenon like the sound of sweat trickling and a heart beating, Biggie suggests either that his foes are in a supernatural state of fear or that he's an extraordinary predator. Either way, it's pretty terrifying.

I certainly wouldn't want to be his prey, and it's understandable why 2Pac flipped his wig after hearing this.

Blu is a true poet that doesn't need music to keep your attention. His words are laced with a kind of bohemian wisdom that inspires more questions than it can hope to answer, but the ride is nonetheless enlightening. Here he wonders about a non-denominational heaven, and you can never quite tell if he interprets it literally or figuratively, which is probably purposeful and likely the most useful imagination. Our drives for pride and violence can change the most fundamental parts about ourselves, and to characterize revenge as a sweet joy next only to sex makes it all the more menacing.

Believe it or not, Jay did not come up with this line. You may be surprised by how many of his lines are actually other people's. Regardless, the line is simply the pinnacle of pimpology. Sexist though it may be, you gotta give Ice-T props for marginalizing women in the most efficient way possible, and, yes, you gotta give Jay-Z props for bringing sexist back -- and Rick Rubin for that beat god damn! I didn't get this lyric for a long time -- until I saw it written, and that's when I realized how genius it was.

Real gs don't need attention. They're content to remain unnoticed and operate thankless. Eminem finds a balance of bitterness and humor that characterized his relation with religious morality in the early s.

He takes baptism, the Christian tradition symbolizing cleansing and resurrection, and turns into a means for attempted murder against him. He uses assonance and internal rhyme throughout, but in the last line he reverses the internal rhyme from "water, no wonder" to "under longer," signifying a switch from holy water to something far less than holy.

Flipping Dean Martin's "You're Nobody til Somebody Loves You," the impact of these lyrics have been enhanced by Biggie's untimely death, making it feel like a self-fulfilling prophecy -- especially given the title of Biggie's album, Life After Death. The lines still resonate today, especially in light of recent media blitzes around attention-seeking mass-murderers.

It takes two to make a thing go right It takes two to make it outta sight It takes two to make a thing go right It takes two to make it outta sight Hit it!. My name is what? My name is who? My name is Slim Shady Hi! My name is huh? My name is Slim Shady. What you throw out comes back to you, star Never underestimate those who you scar Cause karma, karma, karma comes back to you hard!

What Does It Mean? I got the juice and Mother Goose both did that thing. I had a little horse named Paul Revere. Now push it Push it good Push it real good. I got to say it was a good day. We want the rapper with the illest lyrics! How many of us, how many jealous? Trust issues. What about your friends, are they gonna be lowdown, Will they ever be around, Or will they turn their backs on you? I know who my friends are!

Still here with my day one. How is it that you expect to find it anywhere else. Could you love me on a bus?

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