All rights reserved. Somgs a seismic split led to an unclear future for TVXQ! While "Tiger Inside" doesn't quite reach the beautiful absurdity of ,orean year's "Jopping," best rap hype songs korean a frenzied, fun successor imbued with more melodic polish. Song Description: "Feel Good Inc. It's always exciting when a major agency debuts a new group, and saw both SM Entertainment and YG Entertainment — two of the industry's largest companies — turn a fresh page with groups that don't follow their typical formulas. By Billboard Staff.

EXID had a few ups and downs after a promising debut, but the sleeper success of this trip-hop, trumpet-infused extravaganza was the perfect prelude to the new version of the quintet. From drumline divas to tap-dancing vamps , a shape-shifting girl group like After School cannot be tied down to one to one sound, but the outfit undeniably shines when they embrace a sentimental concept. Composed in a stunning waterfall of swirling synthesizers, this single boasts one of K-pop's most unique takes on romance, using "Shampoo" as a poetic metaphor for a love that can sweetly envelope someone like a lingering scent but also sting your eyes if treated without care.

After a seismic split led to an unclear future for TVXQ! Quirky, cutesy, sexy K-pop at its best, "Bubble Pop! The effervescent production of "Bubble Pop!

HyunA truly embodied this track, and it rightfully became a defining moment in making her one of K-pop's top, boundary-pushing divas. This is a song about mustering up the courage to tell someone you love them, and every bit of instrumentation showcases the varying concomitant emotions. Layered choruses soar, culminating in the swaying call-and-response of breathy harmonies and taunting chants.

The act served up one of the most fun and vengeful breakup tracks ever, as they pray for the object of their affection to meet someone just as terrible as they are. AOA hey! R , This Zico-penned single is a patchwork of sounds that weaves electro-pop, funk rock, and rap breaks together. All of this leads to the bittersweet moment of the boys reuniting, when they finally move on together.

In this journey of growing up, you never walk alone. The beast-dols flipped the script on the gendered connotations attached to sexy concepts, delivering an iconic chair dance complete with delicate hip swaying.

The Pentagon members capitalized upon their talents -- songwriting, producing, performing -- to give us pure fun when we needed it the most. IU feat. Mamamoo are at their best when they balance their flashy vocal chops and jazz-inflected instrumentation with a healthy dose of playfulness.

But during the pre-choruses, they let their guard down to deliver heartfelt confessions that reveal how much their lover means to them -- at one point, so much so that it makes them anxious. You can sense the butterflies in their stomachs. It could have been a one-off experiment, and the resulting success would have been chalked up to good fortune.

But this track was the proud declaration that this new Apink was here to stay. They may be seasoned players in the industry at this point, but their latest single proves that experience does not equate to comfort-zoning yourself into complacency. Most remarkable, however, is how tactile the sonic and visual layering of the song is -- touching on the softness of each member before swelling into a sweeping chorus of harmonies.

The Perfect Red Velvet, indeed. This song resuscitates the era of Fiorucci with a quirky melody and a chorus that rolls around in your brain long after one listen. K-pop songs rarely sound this flirty. Mnet irrevocably shook up the K-pop industry with Produce -- and Wanna One became the central showpiece of the entire series. The choreography calls for a human piano , as the song starts out as a ballad then lifts off into a high-octane dance cut.

Brown Eyed Girls have spent their decade-plus time together pushing musical boundaries, but they truly outdid themselves here. The track opens with the women readying for battle with cinematic strings backing liberated declarations to the call-and-response chorus.

In what is K-pop's most ambitious bridge of the decade, the wonder women combine their superpowers with a fierce section from rapper Miryo, followed by a power-packed vocal belt from JeA that leads into a whistle note belted from Gain, that's picked up and finished by Narsha. Truly, any artist needs a "Sixth Sense" just to be able to master and perform such a complicated track. Through his quiet revolution, Zion. T has proven himself to be a nuanced artist with the singular ability to be in tune with human emotions.

Almost childlike in its lyricism, the song reads like a love letter to his father, who spent his days driving a taxi up and down the Yanghwa Bridge, trying to provide for his family. After all, this three-for-one deal play pieces of sushi in the surreal MV. Make no mistake, they were in on the absurdity of their concepts, which only intensified their shine. But when the chorus kicks in, effervescent jazz instrumentation snaps you back to reality, or at least a simulacrum of one. Do it again, but even better.

The decade-defining girl group solidified their legacy with this gooey synth-pop track that created a new go-to phrase for K-pop fans worldwide.

Snappy synths and surf guitar rush to meet you right at the outset. In the song, she wields her sultry drawl as a weapon, letting every word spill out of her mouth with a knowing sense of power. Her goal is to lure a lover, and she lays out specific steps in the most procedural of manners as producer Primary follows her lead. After temporarily abandoning their post as K-pop's top girl group to follow their Billboard chart promise in America, Wonder Girls returned to Korea to remind everyone just what what made the industry fall in love with them.

Honoring their longtime status as the queens of retro concepts, the outfit smashed back onto the scene with a song that boasted a feel-good Motown vibe with punches of hard-hitting, modern-day synthesizers. Expectations were high for this true K-pop comeback, but WG proved the power in staying true to one's artistry with only the slightest updates to create maximum satisfaction.

With two members leaving and the future of their Chinese subunit, EXO-M, hanging in the balance, they needed revamping. Not only did it set the stage for a musical space that EXO would claim entirely for their own, but the music video is symbolic of the members coming into their own as individuals.

The MV starts off chaste enough as old film captures wholesome moments at home. How many K-pop divas could get away with a self-pleasure scene? Gain pulled off a delicate balance: she pushed the boundaries of taste while retaining a sense of wonder. Primary feat. The track features a creeping rhythm, paired with the eerie crooning of former AOA member ChoA, and a brief rap bridge. Her absence had cast a shadow over the song, making its uneasy tone readily apparent.

Life can be confusing and unpredictable in its unwieldy journey. There are moments of fear and disappointment and sadness amidst those of deep, genuine love. BIGBANG's brand of emotional hip-hop didn't so much stand out for its reinvented sound, but for how it captures a sentiment that could only be expressed by the superstar boy band.

Co-written and produced by leader G-Dragon, "Bad Boy" is a prime example of the star's ability to tap into a dynamic yet moving style with the mellow, near-melancholic delivery tempered with hum-along-to melodies and relatable lyrics. That fascinating juxtaposition of ideas has been present throughout BIGBANG's decade-plus together, but "Bad Boy" stands as the anthem that best encapsulates the quintet: rooted in the best parts of rap, mixed with unexpected and evocative pop moments, and all shared via lyrics that read like a private journal or a drunk voicemail.

Their ninth single is a remix splicing two B-sides that leap-frog across the song structure. K-pop is nothing if not transformative, and the best songs test the boundaries of pop. Written in 15 minutes , the labyrinthine composition shapeshifts every few seconds into a completely new genre.

Each section has its own sound, and the abrupt transitions break the boundaries between hip-hop, rock, and electro-pop. With determination rather than desperation fueling the lyrics, the landmark single never falters in its dramatic pacing. As it arrives at the pulsating descent, the song culminates in Woohyun delivering the soul-stirring anguish of his verse for a grand finale -- leading into a sonorous final declaration, before the sudden cool-down. The song has gone on to develop a cultish following of sorts among K-pop fans, due to both its excellent production value and the dynamic, sleek choreography.

The best pop songs can take a basic human emotion and make it the biggest, most extraordinary thing in the world -- despite such familiarity, certain feelings can be rendered anew through precise distillation and amplification. Red Velvet have one of the most impressive and wide-ranging discographies of any K-pop group ever. As the decade comes to an end, the name IU has become synonymous with descriptions like "unbeatable chart-topper" and "fearless artist" in Korea.

But at the start of the decade, this was not the case as the honey-voiced singer-songwriter was still trying to find her place in the industry.

All that changed with the holiday single "Good Day" that brought the thenyear-old sensation to national attention, and officially began her reign as chart queen. Throughout the subtle key changes in the track, IU's saccharine pop delivery glosses everything over to make these mastermind musical decisions essentially undetectable.

Featured in the credits of The Spongebob Squarepants Movie. Song Description: This song is created by music band Cash Cash and is published to Youtube in the year , later to be reuploaded to youtube channel Proximity in early This remix was a replacement for Overtime , but shortly after, it got replaced by Overtime Noisy Freaks Remix due to being a better remix.

On February 12th, , the remix was replaced by Outbreaker due to avoiding potential copyright. On March 16, , the current cover was replaced by Summer Met With a Meteor Shower due to avoiding a potential risk of getting a copyright claim.

Achieved later internet fame through 'Rickrolling', an inside joke of baiting and switching video links with this song. Song Description: Originally appearing in Love Live! This remix was an original replacement of Future style , but shortly after, it got reverted back to the original song. And then on September 2nd , the song has been replaced by Dimension due to copyright. Song Description: In the film, it was sung by Captail Li Shang while training the inexperienced soldiers, one of which was Mulan.

Many consider it to be the best song in the movie and it is one of the most well-known songs from Disney. On December 14th, , this was replaced by Forward to avoid copyright. This remix was a replacement of Wishing CoralMines Remix , but shortly after, it got reverted back to the original song. Its distinct music video spawned countless parodies and drove fashion trends.

However, on January 16th , the remix was replaced by Crystallize due to avoiding a potential copyright takedown. Having found success adapting metal and rap to a radio-friendly sound, this song was practically the anthem of every emo teenager. This remix was a replacement of Numb , but shortly after, it got replaced by Numb Fame On Fire Cover due to being a better cover.

On March 16, , the current cover was replaced by Share Friendship due to avoiding potential copyright issues. This remix was a replacement of Jump Up, Super Star! Adriana Figueora and Insaneintherain Cover to avoid a potential copyright strike.

This song is considered as the best-performing single of , as it charted number one on Gaon Digital Chart. However, on January 16th , the cover was replaced by Rivals due to avoiding a potential copyright takedown. Song Description: Arguably the most popular song in the Love Live! In live performances, fans use a special light stick known as "Ultra Orange" to simulate the shift during the bridge as seen in the animated music video.

Originally released December 22, This remix was a replacement of Snow Halation , only to very quickly be replaced by Snow halation Sonamikaru Cover due to being a better cover.

It was later than reverted back to the original Snow Halation in October Snow Halation was once again replaced by the Sonamikaru cover in September , only to be replaced by dogjam on January 7th, to avoid potential copyright. The song encourages everyone to Catch Em' All at a mad pace. However, on December 25th , the cover was replaced by Pico Friday Night Funkin' due to avoiding a potential copyright takedown.

Song Description: "Feel Good Inc. This remix was a replacement of Feel Good Inc. Winning two Grammy awards, this song was the best selling single of This remix was a replacement of Uptown Funk , but shortly after, it got replaced by Uptown Funk Noisy Freaks Remix due to being a better remix.

However, on January 16th , the remix was replaced by Exosphere due to avoiding a potential copyright takedown.

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