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Maybe they had a misfit buddy too, with delusions of grandeur, who convinced his space bros to take him and him alone, leaving the other guys to shit their overalls back in the bass boat. I need to start the car before we drain the batteries. The timing is not lost on me as we speed into the darkness of that pitch-black back road.

The Milky Way offers up nothing but silence, and inexhaustible distance. Atypical to this form of arthritis, it started in my toes and knees and then worked its way towards my spine, taking up residence in my hips in my early 20s. De- generatively speaking, I might have been ready, but psychologically and emotionally, not so much. Fear of the procedure and possible complications made me put off the operation far longer than I should have.

I ended up spending several years using what my wife and I took to calling my chair on wheels rather than wheelchair. In early , I could no longer cower from the inevitable. Needless to say, I made it back, and I was faster, better, rebuilt. They had the technology. This piece was originally written for the February issue of ArtByte magazine, a sadly short-lived New York digital arts and culture magazine, edited by Mark Dery at the time.

The article was surprisingly well-received. I rarely get congratulatory phone calls when I publish anything. This one inspired several. The best one was from cyberpunk sci-fi pioneer Bruce Sterling. He was particularly tickled by the piece because he saw in it the beginnings of a trend: aging cyberpunks beginning to be borged for real. Today, I have a full performance of security theater to look forward to every time I travel, complete with invasive crotch groping.

Over half a million people have major joint replacements every year, but my visit with the bone saw had spe- cial poignancy. As my wife and I made the final, nerve-wracking decision to go through with the surgery, I started to feel like one of those liberal D. I was now going to become a real cyborg - not one of the metaphoric borgs academics have discussed to death, a softwired creature of computer interfacing, gender dysphoria, and postmodern mythology, but a hardwired one, a literal borg: part man, part machine - a biomechanical being.

The very thought of it - the risks involved, the cold, hard fact of putting my hardware where my hip once was -- scared the stuffing out of me. Hip replacement surgery has become surprisingly safe and commonplace, but because arthritis has fused my sternum constricting my chest , and thanks to the fistful of immuno-suppressant drugs I gobble down daily, I am at a higher risk for post-surgical pneumonia, a complication that could kill me.

But then I got to fondle the hardware. During the initial visit with my orthopedic surgeon, he brought in an implant for me to play with. It was a gorgeous, awe-inspiring piece of modern machinery - almost Zen-like in its shining simplicity and austere precision. The description of it reads like something from a William Gibson novel. Geeking out with the doctor, discussing the details of the hardware while absent-mindedly gliding the sensu- ously smooth cobalt-chrome ball around inside the polyethylene cup, I felt a growing reassurance.

The doctor, a third-generation member of an orthopedic dynasty with books on Amazon! In the midst of my newfound courage and enthusiasm, I looked over at my wife and realized, by the green cast to her cheeks, that the she was more in need of smelling salts than tech specs.

As if to drive home the irony of my situation with all the subtlety of an operating room bone hammer, I had to endure several unpleasant procedures other patients usually get to skip. Because of my higher risk of mutated bone growth, I had to have my hip irradiated the morning of the surgery.

There I was, at 8am closer to my bed-. Then, the slab started moving upward and I was raised into a room-sized X-ray machine in a scene unsettlingly reminiscent of Bride of Frankenstein. Once inside this giant, Soviet-looking contraption, I was asked to remain stock-still, while the machine creaked and twisted around me.

The semiological significance of this gave me something to bite down on as the flesh around my femur received a full-on assault of gamma radiation. I also had to brave the terrifying experience of being intubated while I was still awake.

Because of my fused-forward neck, I had to be semi-awake while they shoved tubes into my throat and my body tried to heave them up. I have the most bizarre alien abduction-like memories of masked and hooded technicians frantically struggling to overcome my gag reflexes. They also wanted me to be awake in the recovery room before they removed the air tube. This felt a little bit like drowning, which mercifully, lasted for only a few seconds.

Recovering in the hospital, I discovered a huge cyborged population she had apparently overlooked: the elderly. The average age of a joint replacement patient is Most everyone on the ward was on a second, third, or fourth replacement. One patient was on her sixth implant two shoulders, two hips, and two knees. My hospital roommate, in his 70s, had basically stopped off for a knee replacement before he and his wife took a trip around the world.

Both of them had been plagued with recent health problems quadruple bypass surgery, ovarian cancer, arthritis. But make no mistake about it, this is miracu- lous technology that it is radically changing my life. A giant throbbing knot of pain is gone from my body. I have more energy and enthusiasm than Richard Simmons at a fat farm dance class. I had a major joint replaced and was out of the hospital faster than it takes to get over a head cold.

My left hip is also circling the drain and will probably come out in the next few years. Each one of these replacement procedures will augment me and amputate me at the same time to borrow a theme from Marshall McLuhan. And what of upgrades and repairs? I may have to go back for some of those, too. I woke up this morning with a painful limp, in my new leg. This is not supposed to happen and it made me flush with fear. These fears, these suspicions of an alien presence in my body, will be with me for the rest of my life, and will only be com- pounded by each new biological-to-mechanical parts swap.

It is as much a world of wound management, site infection, tissue mutation, implant extraction and rejection, and reams of HMO paper- work, as it is a world of life-restoring body repair and trendy cyberpunk mythology. I really appreciate the interest and concern. I love you, too.

I got this total hip replacement in the spring of Gradually though, as the artificial hip started to make itself at home, the pain in my bio hip and back went away. I guess it was a com- pensatory sort of thing. I was putting all sorts of strains and exceptional stresses on other muscles and joints to compensate for the bum hip, and after it was replaced, gradually, those pains faded away.

The increased physicality has allowed me to lose a lot of weight, build muscle, and leap tall buildings in a single bound. I think the 80s wardrobe is best left to the moths in the attic. In the article, I really focused on the negative aspects of the process, 1 because the fear and discomfort of the whole experi- ence were still fresh, and 2 , the point of the piece was to contrast my years of cheerleading cyborg technologies as a cyberculture writer with the very real and direct impact of tying on a backless hospital gown and facing the upgrades myself.

Yes they do! You lucky bastards, implanting metal in the 21st century! Some of the tips may seem redundant, but I decided that, in this context, it was OK. Good teachers impart the knowledge and prac- tical wisdom that makes a difference in the way we work, live our lives, and more fundamentally, the way we perceive the world around us. They inspire us. When I look at my work, I can see them lurking within it.

So without further ado For all of the new media creators settling the promised land of Web 2. When I finally published the first version of this, it struck an immediate chord. It was widely linked to, covered on Boing Boing and some popular writing sites.

It also ended up being taught in several college creative writing classes. And cynical. A copy of that glorious statue sits on a shelf in my library, perpetually pooping and yelling and filing stories. There may be another writing tip or two in there. The first book I ever bought about writing was called Writing with Power. Oh, and go ahead and hold off on more blank journals, too.

I now have a small library of them, a small, blank library. Need gift suggestions? Liquor is always good. Writers love to drink. But I digress. Say what you want to say, unencumbered by the constant commentary from that fussy editor floating around in your head. First: just get it all down. Then, you can have at it. Keep what works; bug-zap the rest. This way, you often end up with better-than- expected material.

Way back then, it was difficult to type and retype multiple drafts without the burning desire to edit as you went. Word processing suddenly changed all that. This memo just in from the Profound Thought Department: Mondo was the first magazine I worked for where the entire writing process had become electronic. With Mondo, I would pitch the editors via email, write the piece on my computer, and email them the article.

Looking at the magazine, I was looking at the very characters that had come out of my head, through my nervous system into my keystrokes and onto my screen. Such a far cry from the pre-digital world of scratching your ideas into paper, hammering them into more paper, usually multiple times, sending them to a typesetter, having them re-keyed again, cut into plates, etc. Nearly every time I look at a piece of my writing in a magazine, I feel the legacy of those characters on the page.

And, of course, in digital publishing that distance is even closer. From my nervous system to yours. One of the things I noticed when I first started getting my work published was how often my introductory para- graphs got unceremoniously zapped to the trash by delete-happy editors. Writers, especially newbies, often waste this first paragraph or two or three dancing around their subject, gobbling up precious page real estate, awkwardly warming themselves and their readers up.

See if you can toss them out. Be harsh. Which brings us to:. A friend of mine, Andrew Lawler, a science and technology writer who was an editor at The Futurist, Science, and Space Business News, taught me this one.

Ask yourself: is this necessary? Is this the simplest, most straight- forward way I can say this? If not, toss or revise! Then sit on the piece overnight — no, not literally! The next day, whip out that happy, happy razor again. And now a word about sitting on your work: I cannot stress how much your piece will improve if you can let it marinate for a good 24 hours OR MORE. You need some distance from the work, perspective.

Two weeks is a luxury for most writers, but the worst thing you can do is to take up all of the time to the deadline writing and then quickly editing and then sending off or publishing your work. So, do yourself a favor, leave time to sit on it! Getting the piece at least in the neighborhood of the assigned word count is your job, not theirs.

If they have to spend a lot of time wrestling your piece into the allotted space, you may not get the gig next time. Sometimes, you learn what not to do by watching others. He constantly repeats concepts and sentence wording. He really is.

A good writer can come up with creative ways to avoid over-using the primary proper noun. Free your mind. Have fun. Many, many years ago, I contributed to a book for Time-Warner. So, in order to weed out those moldy chestnuts, keep your eyes peeled and your ear to the ground.

Then, your work will be as fit as a fiddle and fresh as a daisy. The late William Safire suggested that you read your work out loud. Writing is not the same as speaking, but they each have when done well a lot to do with rhythm and a satisfying word flow. Tangential to this: Brian Eno says that he has certain people he sometimes imagines looking over his shoul- der, hearing his music, reading his words, a kind of virtual Greek chorus of different critical voices.

I do this sometimes and it can be helpful. The trap is not wanting to change what you need to say because you want to please each of those voices. Do that, and your work will end up as invigorating as luke-warm bath water.

Again, this can be a trap, but it can serve as a useful framing tool. Writing great heds headlines and deks subheads is an excellent way of framing the concepts of your piece and adding another level of wit and humor to your work. I hardly ever do proper outlines. I usually come up with a general concept, create the heds and deks, then hang my story from there. Which leads us to:. If you get stuck, or run out of things to say, you can jump to your closing.

The same thing holds true in writing. The rest is mainly filling in the who-what-where-when-why and providing some painterly. He takes real situations and people from his life and exaggerates them in his novels. He believes this creates a more honest, grounded, textural fiction, even when dealing with out-of-this-world subject-matter.

Writing in a first-person, conversational style is a mixed bag. If you write this way, be careful not to come off sounding condescending, or too chatty. Aim for smart, friendly, funny, unpretentious prose. More on this: My approach to writing is based on the editorial policy of the old Whole Earth Review. Even more on this: If you write in a conversational style, be careful not to make it TOO conversational.

Gunderloy himself was a prime example. By then, he had truly mastered the art of short-form, concise, and spunky media criticism.

Writing is a kind of making, a form of idea engineering and communication. A piece of writing has structure, it needs structural integrity to hold up under its own weight.

It has design, it has components that need to fit together properly, there are frequently construction problems that require troubleshooting and tinkering to get the contraption of your piece to run well. Thoughts along these lines had dawned on Jake as he worked on his article.

I was posting on the fly, as part of a written conversation. Keeping a journal of your thoughts on anything not just the daily details of your life , or engaging in good online conversation, are great ways of learning how to write with freedom and immediacy.

More on this: Your next big idea may occur to you at any time, so always keep a pen and notebook handy. I have these tools by my bed, my chair in the living room, in my basement workshop, by my toilet, in my shirt pocket, etc. Next morning: Nada. Not a clue except the memory that, whatever it was, it was a zinger. You can also use Evernote. The awesomely talented Sean Carton taught me to loosen up and have fun with my writing.

He wrote in such a relaxed, fun, conversational style. It inspired me to relax at my keyboard, let it hang out more than it ever had.

He also re- ally loves to have fun with the reader, grab them by their shoulders and smack them around a bit in a playful sort of way. Tapping into a cocky, humorous style, again, without condescension, has a lot to do with being relaxed while you write.

That, and not caring too much about the final outcome. Writing is something that anyone can do, and do well, IF you know how to get out of the way of yourself. And then, how to massage what comes out into something that can communicate powerfully with others.

Shoot from the hip, write from your gut, put some passion into it! Write what excites you. The results may suck, but they might not, and you might be onto something fresh and exciting. I can play better than these louts. If they can be rock stars, I can too! Peter and I have very different writing and life- styles, but the emotional power and directness with which he writes have always inspired me.

He seems to have a nearly direct link between his guts and his keypad. He reads a lot of comic books and admires the poetry and economy of words inherent in them.

One day, I confronted him. His answer, although something of a cop-out, did contain a valuable lesson. We hire people who are good at what they do. I expect great things from you and you deliver that. This was, of course, the kind of recognition I was looking for, but it also reminded me that the writing world is a fast and furious business.

You have to be self-motivated, low-maintenance, and above all, thick-skinned. Then there are the nasty letters to the editor and the hate mail from readers. You have to suck all this up, too.

But that only makes it sweeter when you get mail from readers who say that what you wrote changed their lives, or saved their lives, or set them down a bril- liant career path, or whatever. These messages may be few and far between, but when they arrive, they make all of it dealing with surly type-A editors, readers from hell, inadequate pay worthwhile. I was always under the impression that, when an editor sends back a manuscript profusely bleeding with red edit ink, you have to make every change they suggest or insist upon.

Nine times out of ten, that will be it. Of course, telling you this might be a little bit like revealing stage magic secrets. Sorry, Mark, sorry fellow corner-cutting wordsmiths. Since a writer-friend I love and respect had given it to me, I figured I should at least give it a whiff after months of feeling guilty about not doing so.

The book turned out to be extremely inspirational. The central premise concerns getting over your laziness about writing. The title refers to an incident when Anne was a child. Her brother had waited until the night before a school project on birds was due to start work on it. He sat at the kitchen table, with a blank pad of paper and a pile of bird books, overcome by the immensity of his task. Just take it bird by bird.

Bird by bird, buddy. Amaze yourself by the impressive quality and quantity of the shit you can generate. Bow to the Buddha in that shit! Nobody but you ever has to see these unsightly drafts. Lamott says her career might be over if readers saw some of hers. I swear my writ- ing literally improved with each completed chapter. The book is about the balance between sin breaking the rules, writing with courage, being fresh and creative and syntax knowing and applying the rules when appropri- ate.

The book mainly reads like a post-modern Strunk and White and is a good reminder of what you learned or should have learned in school. One of my inspirations? A comic book character, Spider Jerusalem. His laptop has become a dan- gerous weapon in his fight against government corruption, corporate crime, and social apathy. He is journalist as superhero albeit a very flawed, drug-addled, vigilante one. I even bought myself a Spider Jerusalem action figure.

Half-naked, fully tattooed, he sits on my computer, along with his assault laptop and two-headed, chain-smoking mutant kitty, keeping me honest. A lovely collectable statue of Spider sitting on a toilet graces the shelves of my library, too.

Probably that too, but Spider is here to remind me how I can, right now, reach through this monitor and grab you by the head, the throat, the heart, or the nethers. VIDEO LIBRARY — Robust video library with over new book-specific videos that include easy-to-assign assessments, the ability for instructors to add YouTube or other sources, the ability for students to upload video submissions, and the ability for polling and teamwork.

Place your students in the role of a key decision-maker! Simulations branch based on the decisions students make, providing a variation of scenario paths. Upon completion students receive a grade, as well as a detailed report of the choices and the associated consequences of those decisions.

Engaging videos that bring business concepts to life and explore business topics related to the theory students are learning in class. Through adaptive learning, students get personalized guidance where and when they need it most, creating greater engagement, improving knowledge retention, and supporting subject-matter mastery. Also available on mobile devices. A single location to develop and assess concept mastery and critical thinking, the Writing Space offers automatic graded, assisted graded, and create your own writing assignments, allowing you to exchange personalized feedback with students quickly and easily.

The mobile revolution: key facts and figures Smart business leaders know they must adapt and respond to the rise of mobile usage by consumers and employees Explore dozens of statistical measures that show the impact of mobile communication.

Integrated coverage and student activities As with social media, the changes brought about by mobile run far deeper than the technology itself. Successful communication on mobile devices requires a new approach to planning, writing, and designing messages. With in-depth, integrated coverage of the challenges and opportunities that mobile presents, Excellence in Business Communication, 12th Edition, helps students adapt their personal use of mobile devices to the unique demands of business communication.

Through a variety of annotated model messages, questions, activities, and cases, students will gain valuable skills in the art of communicating via mobile devices. Pocket Letter Pro includes templates for a variety of letter types to simplify writing business letters on your mobile device.

Media Skills: Email [LO-5] The size limitations of smartphone screens call for a di erent approach to writing see page and formatting see page documents. Your task: On the website of any company that interests you, find a news release some companies refer to them as press re - leases that announces the launch of a new product.

Using Pages or any other writing app at your disposal, revise and format the material in a way that would be e ective on smartphone screens. Your task: Choose the website of a company that makes prod- ucts you find interesting.

Make it a conventional website, not one already optimized for mobile. Analyze the section of the. With realistic examples, pointers to dozens of business communication apps, and a full range of questions and projects, Excellence in Business Communication highlights the best current practices in mobile business communication.

This introduction conveys only the information readers need in order to grasp the scope of the article. Integra Software Services, Inc. The documents and related graphics contained herein could include technical inaccuracies or typographical errors. Changes are periodically added to the information herein. Partial screen shots may be viewed in full within the software version specified. This book is not sponsored or endorsed by or affiliated with the Microsoft Corporation.

The rights of John V. Thill and Courtland L. Bovee to be identified as the authors of this work have been asserted by them in accordance with the Copyright, Designs and Patents Act All rights reserved.

No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without either the prior written permission of the publisher or a license permitting restricted copying in the United Kingdom issued by the Copyright Licensing Agency Ltd, Saffron House, 6—10 Kirby Street, London EC 1N 8TS.

All trademarks used herein are the property of their respective owners. The use of any trademark in this text does not vest in the author or publisher any trademark ownership rights in such trademarks, nor does the use of such trademarks imply any affiliation with or endorsement of this book by such owners.

We appreciate the opportunity to play a role in your education, and we wish you the very best with your careers. Learning objectives Checkup apply your Knowledge Practice your skills expand your skills improve your grammar, Mechanics, and usage Business Culture Learning objectives Checkup apply your Knowledge Practice your skills expand your skills improve your grammar, Mechanics, and usage Cases Maintaining high standards of ethics and etiquette sending negative Messages on routine business Matters The first major wave was the digital revolution, replacing much of the print communication of the past with email, instant messaging, web content, and other new forms.

Then came social media, which fundamentally redefined the relation- ship between businesses and their stakeholders. Mobile communication, and mobile connectivity in the larger sense, is changing the way business communicators plan, create, and distribute messages.

For business communicators, the shift to mobile involves much more than the con- straints of small screens and new input technologies. The ability to reach people anywhere at any time can be a huge advantage, but the mobile communication experience can also be a major challenge for senders and receivers alike. It requires new ways of thinking about information, message structures, and writing styles. Instead, communication is taking on the feel of an endless conversation, with recipients picking up smaller bits of information as need- ed, in real time, from multiple sources.

The fundamental skills of writing, listening, presenting, and so on will always be essential, of course, but those skills must be executed in a contemporary business context. The new coverage of mobile communication is deeply integrated throughout the 12th edition, with major new sections in many chapters and important up- dates in other places, along with a variety of new questions, activities, and cases. Technology, globalization, and other forces have dra- matically changed the practice of business communication in recent years, even to the point of altering how people read and how messages should be constructed.

They are active participants in more than 45 social media sites. For example, cases in recent edi- tions have addressed location-based social networking the business communication implications of the FourSquare game app , employer restrictions on social media, and the use of Twitter in the job-search process.

See page 30 for a complete list. These tables show where you can find major areas of coverage, figures, and communication cases that expose students to professional use of social media, mobile media, and other new technologies.

Students have access to their own messages, assignments, and media items. Every item is personally selected by the authors to complement the text and support in-class activities. You can subscribe to updates chapter by chapter, so you get only the material that applies to your current chapter. As the field of business communica- tion continues to expand and get more complex, however, balancing those two objectives continues to get more difficult.

The 12th edition of Excellence in Business Communication is optimized to provide that balance. Even in the context of social media, mobile, and other media innovations, every chapter gives students the opportunity to hone their foundational skills and improve their awareness of grammar, mechanics, and proper usage.

Moreover, students also get a solid grounding in ethics, etiquette, listening, teamwork, and nonverbal communication. We continuously monitor developments in electronic media and com- munication practices to choose the optimum time to introduce new topics.

With its comprehensive coverage of business communication concepts and up-to- the-minute treatment of contemporary practices and technologies, Excellence in Business Communication is ideal for business communication courses in any curriculum.

While cov- ering the full range of contemporary business media, Excellence in Business Communication maintains a strong emphasis on written communication and so is ideal for courses that feature report writing and similar activities. Conversely, if you want a shorter text with strong emphasis on fundamental skills, consider Essentials of Business Communication.

Colleges and universities vary in the prerequisites established for the business commu- nication course, but we advise at least one course in English composition. Some course- work in business studies will also give students a better perspective on communication challenges in the workplace. However, we have taken special care not to assume students have any in-depth business experience, so Excellence in Business Communication works quite well for those with limited work experience or business coursework.

Excellence in Business Communication has helped more than 2 million students master essen- tial skills for succeeding in the workplace. This 12th edition continues that tradition by of- fering an unmatched set of tools that simplify teaching, promote active learning, and stim- ulate critical thinking. These components work together at four levels to provide seamless coverage of vital knowledge and skills: previewing, developing, enhancing, and reinforcing.

Each chapter provides clear learning objectives that prepare students for the material to come and provide a framework for the chapter content. Each learning objective aligns with a major heading in the chapter, and this structure is carried on through to the end-of-chap- ter and online activities, making it easier for instructors and students to gauge learning progress.

After the learning objectives, a compelling On the Job vignette featuring a successful professional role model or company shows students how the material they will encounter in the chapter is put to use in actual business situations.

Chapter content develops, explains, and elaborates on concepts with a carefully organized presentation of textual and visual material. The three-step process of planning, writing, and completing is clearly explained and reinforced throughout the course. Some texts in- troduce a writing process model and then rarely, if ever, discuss it again, giving students few opportunities to practice it and leaving them to wonder just how important the pro- cess really is.

Excellence in Business Communication adapts the three-step process to every cat- egory of messages in every medium, from traditional letters and reports to email, blogs, IM, podcasts, wikis, and online videos.

Contemporary examples show students the specific elements that contribute to—or de- tract from—successful messages. We accept that sometimes it may not be possible to address all the concerns in your paper as desired, and we take full accountability. Thus, if you have any propositions regarding any part of your paper that needs corrections, feel free to contact us and have your paper revised soonest possible.

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